Art

Cultivate Attention and Discernment (3)

Photo by Spencer Imbrock on Unsplash

“There is no consistent, integrated conception of the world which serves as the foundation on which our edifice of belief rests. And therefore… we are more naive than those of the Middle Ages, and more frightened, for we can be made to believe almost anything.”

Neil Postman, Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)


Reading time: 20-25 mins

Fear, Superstimuli, Indoctrination

Fear is a wake-up call to pay attention and see truth. But this instinct can be easily subverted to an irrational and automatic body-mind reaction for survival and self-protection against a perceived threat. The father of propaganda Edward Bernays, the Rockefeller dynasty and their social science directives; Freud and psychoanalysis; Alfred Kinsey and his sexual revolution and the ever-present mainstreaming of occult directives have flowed through the mass mind and shaped Western societies toward a highly narrow conception of reality.

Education, mainstream media, entertainment, art, fashion, advertising, marketing, public relations – even our family unit, peer groups and working life – all reflect the above directors of an Official Culture. All are defined by consumption, commodity, image, sensation and artifice. The original source of these traditions and pursuits have lost their psycho-spiritual meaning and now float in a sea of narcissistic irrelevancy.

Instead of bringing out the true meaning of human existence – to love, learn, bond, create and commune –  our current reality is a constellation of subverted constructs which are pathological due to a predominance of psychopathic and sub-deviant human beings who have taken control of societies. They have continually re-interpreted and subverted the best of human ingenuity and innovation toward their own conscienceless, machine-like perception. This continuing psycho-materialist paradigm has been translated and mediated into so-called normative social, political and cultural structures. They continue to exist purely due to a consensus trance reinforced by cultural hypnosis, of which most people are entirely unaware.


“Never have so many been manipulated so much by so few.”

Aldous Huxley, Brave New World Revisited (1958), Chapter 3, p. 19


The overriding and long-term objective behind this inculcation is toward complete control of the mass mind. The Three Establishment Model via their corporate oligarchs and power-brokers are the aforementioned 4C’s alongside economic, political and sociocultural warfare using three main prongs of attack:

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Reality Change IV: Full Circle

By M.K. Styllinski

“Show me a sane man and I will cure him for you.”

– Carl Gustav Jung


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We are all enmeshed in a vast network of interrelated and interconnected associations. Coming Earth changes might just be the catalyst to “flip the switch”. The question is: who are we and what do we see? The answer may determine where we are on that vast circuit board, and which reality we are likely to inhabit.

The onset of the next cometary bombardment does not necessarily mean a global catastrophe to end them all, but it would take care of the long-term emergence of Pathocracy should enough of us be armed with the knowledge of what has been going on here for centuries. It offers an enormous opportunity for a New World of balance, instigated along natural lines with inbuilt safeguards to prevent the entry of ponerological infections. At the very least, we would be on a level playing field where those that would seek to manipulate and lead by deception will be plainly seen for what they are. As such, we will be able to see make the choice not to share in the rebuilding of a replica of the past but use the knowledge to create a future without psychopathic inculcation.

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9/11: An Occult Ritual? V: New Order of the Oculus

“Their method is part psychological warfare and part black magick, and all highly effective. We subconsciously fixate on the very symbols they intend to manipulate us with, our very essences being alchemically transmuted as we play the game. We are playing with fire, but we cannot resist.”

S.K. Bain, ‘A Warning’


If we cast an eye over the last 14 years it is apparent to anyone with an eye on current events that the world is rapidly reaching a crisis point, in large part due to the mega-Ritual of 9/11. The World Trade Centre acted as an opportunity to initiate an omni-directional chaos so that a singular quality of “order” could eventually reign. And you can bet your life that the average person isn’t going to have much of a say in that Hegelian formula – other than serving as sacrificial fodder. And if you look closely, this ritualistic worship so beloved of our psychopathic elite is literally everywhere, from corporatist iconography to Hollywood programming. Yet, it takes some time to actually see it if you haven’t been exposed to the semiotic language, aside from the official culture of beliefs which prohibit the recognition of such “nonsense.”

The famous Sovereign Grand Commander of Scottish Rite Freemasonry Mr. Albert Pike described the Egyptian origins of the Eye of Horus: “… the All-Seeing Eye … to the Egyptian initiates was the emblem of Osiris, the Creator.” And Osiris’ power “… was symbolized by an Eye over a Sceptre. The Sun was termed by the Greeks the Eye of Jupiter, and the Eye of the World; and his is the All-Seeing Eye in our Lodges.” Which means the descendants of freemasonry are overseen by an All-Seeing-Eye of an ancient Egyptian death cult suffused with Jewish Kabbalism which has consequently been the inspiration for all kinds of hierarchical-based forms of secrecy ever since, regardless of the initial intent.

Pike also went on to do a bit of house-cleaning within the deep corridors of freemasonry which may or may not have been for the most benevolent of reasons. In his famous treatise Morals and Dogma he states: “Magic is the science of the ancient magi … “Magic unites in one and the same science, whatsoever Philosophy can possess that is most certain, and Religion of the Infallible and the Eternal. It perfectly … reconciles these two terms … faith and reason … those who accept [magic] as a rule may give their will a sovereign power that will make them the masters of all inferior beings and of all errant spirits; that is to say, will make them the Arbiters and Kings of the World…”

Not exactly a glowing endorsement of humanity, rather the usual Synarchy and New World Server belief.

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Portrait of Albert Pike by Mathew Bradey (wikipedia)

Pike was one of the greatest freemasonic movers and shakers of the last two hundred years. He was also the Klu-Klux-Klan’s chief judiciary officer; reputedly wrote the organisation manual for the terrorist anti-black movement after the U.S. Civil War and fielded accusations that he was a follower of the “Luciferian Doctrine” and breakaway Palladinian sect. It is therefore, hardly surprising that he has become a personification of how freemasonry has effectively two branches: service to others and service to self, which can be a minefield for aspiring freemasons (Such is the reality of ponerology that no system whatsoever is untouched at some stage in its evolution). [1]

By happy chance, Pike would be pleased to know that there is also an All-Seeing-Eye or “Oculus” beneath the Chambers Street, WTC subway stop in New York City which, given our context and the  negative residues of occult manipulation, can only act as a ritualistic “transducer of energies.” Whether with benign intent from the artists or malign intent from the commissioners of the works it is undoubtedly satanic in symbolism.

The All-Seeing-Eye of Horus, the resurrected Egyptian Sun God,  referred to as the Biblical Lucifer, the angel of light is not just on the US dollar bill but part of popular music culture. Whether the “Novus Ordo Seclorum—New Order of the Ages” was purposely included by freemasons as part of the plan of the founding fathers is open to dispute. Benjamin Franklin was certainly a freemason and the rest his colleagues if not freemasons considered themselves the real Christians but were decidedly ambivalent to orthodox Christianity, much like traditional freemasons.

As freemason and walking occult encyclopaedia Manly P. Hall explains:

“On the reverse of our nation’s Great Seal is an unfinished pyramid to represent human society itself, imperfect and incomplete. Above floats the symbol of the esoteric orders, the radiant triangle with its All-Seeing-Eye. … There is only one possible origin for these symbols, and that is the secret societies which came to this country 150 years before the Revolutionary War. … There can be no question that the great seal was directly inspired by these orders of the human Quest, and that it set forth the purpose for this nation. ” [2]

Author Robert Heironimus states: “America’s Great Seal may be seen as a blueprint for the elevation of consciousness. It says, in part, that we must transform ourselves before we can change the world, and that it is during the process of self-transformation that we can catch a glimpse of what part we are to play in national and global transformation.”

And what does this All-Seeing-Eye represent in occult doctrine?

Hieronimus further explains:

“… from the union of spirit and matter (the pyramid is made of stone, rock, and earth—and represents the unconscious. The capstone is made of an immaterial substance—light or spirit—and is conscious), a new being—a transformed being—is created. The seal’s reverse depicts a separation state in the separation of the eye the triangle.

The pyramid exemplifies the initiation stage … it is the house of initiation, in which the candidate confronts the world of darkness and enters the world of spirit. By passing the tests of the elements, the candidate is initiated into the realm of higher consciousness.” [3]

Namely, the initiation process is completed and a rebirth takes place, being integrated (or subsumed?) into the single eye atop the pyramid. This depends however, on who is at the apex of such a top-down transmutation. If current events are anything to go by, rather than serving others it seems we are being served up … As farmers seeking to extract the best from their cattle, the task is ambitious or as S.K. Bain states, it means: “taking hold of an artificially-accelerated, technologically and pharmacologically induced synthetic evolution of humanity” as an “unfinished pyramid” and directing the mass consciousness towards their own ideas of Order.

If we take a gentle stroll down below the bowels of the newly initiated One World Trade Centre we can see a more explicit occult symbolism which, given the nature of the site, is truly bizarre in its audacity.

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Image source: http://www.nycsubway.org/photo by Richard Booth

The artworks, which have been installed all over Chambers Street/World Trade Centre station complex consist of over 300 different mosaic “Oculus” eyes, based upon actual human eyes taken from photographs. These artworks are directly below the WTC under Ground Zero.  According to one definition the “occult” derives its name from:

“… the circular sun and the crescent moon which when joined together form the word “oc.” ‘To occult’ means to eclipse, as when the moon obscures the sun during a total eclipse. ‘“Oc’ is also the root of the Latin word for eye – oculus. So the occult is the cult of the celestial sun moon eye whose wink darkens the day. Occult actually means hidden and is often represented by a closed eye, or a winking eye.” [4]

Knowing that the United States is undergoing a transformation into a surveillance state of unparalleled proportions one would imagine the last thing New York citizens would need is to have an artistic reminder of Big Brother eyes staring out at every juncture, least of all the slightest allusion to a satanic power symbol. But here they are in plain sight – yet more examples of diabolical satire.

The artists, Kristin Jones and Andrew Ginzel in singing their praises to nature and the universe created their centre piece work. It has an elliptical glass and stone mosaic floor, with a distinctly Egyptian eye at the centre of a vortex set against an image of New York City. It is pertinent that the Oculus floor mosaic, directly under the WTC, also depicts the Earth’s 7 continents around the periphery of the elliptical border, with the Eye of Horus in the centre of the vortex pulling all nations towards its centre. This is close as you are going to get to explicit One World Order iconography.

Apart from commissioning suitably occult-themed designs in  the “underworld” of this particular “New One World” centre, it seems that the the Port Authority of New York and New Jersey is squandering a very great deal of cash on the project with estimates of over $3.7 billion as of February 2015 which makes it the most expensive train station ever. [5] That’s $2 billion over budget and seven years late.

Nothing like making a financial killing on the site of a mega-ritual killing …

oculus1_thumb.jpgImage sources: www.nycsubway.org/|  Top left: Image 806; top right: Image 817 | Both photos by: Wayne Whitehorne – artwork: Oculus  by ( Jones/Ginzel) | infrakshun notes (2013)

As if that wasn’t enough then it seems our ceremonial psychopaths just love to play with innocence and ignorance by enacting their rituals in plain sight without a care in the world. One example of this took place at Ground Zero memorial service in 2002, filmed live by CBS News.

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Still from CBS News Report. You can see the video here: The All Seeing Eye of Horus During the 911 Memorial Service at Ground Zero.

Photographer James Estrin took an interesting photo of the event from an 8th floor building across the street. Titled: “Silence and Dust, 9/11 Memorial, 2002,” he later recalled observing a wind blowing during the ceremony which brought up dust across the centre of the circle and served to accentuate the feeling he had that the place was “alive.” During Estrin’s January 2014 exhibition “Observance: Photographs of Spiritual Experience,” L’Oeil De la Photographie described the photograph as“… the most powerful (and chilling) image made of the event.”

That is certainly true but perhaps not for the reasons any of these participants realise.

It appears to be a blatant celebration of ritual sacrifice rather than remembrance. What else our we to believe after all this evidence when you have a congregation of rescue workers encircling a disc shaped like an eye? (You can see the photo here: www.loeildelaphotographie.com)

The ritual of 9/11 was inspired from occult signatures and their geometry which lies strewn across the modern landscape. Recall the US Department of Defence’s Pentagon for instance,  a 5-sided building, with 5 concentric rings and 5 above-ground floors (5-5-5), and a 5-acre central plaza. Remember the World Trade Centre as a site for 5’s ritual invocation site and fitting as a Number of Death. (9+5 = 14 = 1+4 = 5)

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                                     © infrakshun

Sitting on the 77th Meridian West, with its height reaching 77 feet, the Pentagon site was ready for construction on September (9) 11, 1941. (9/11/41). Exactly 60 years later, hijacked American Airlines Flight 77—a Boeing 757-223—crashed into its western side. Flight 77’s fiery meeting with the Pentagon reflects the formula: 77= 7 x 11, “magical power in perfection.” “The number 77,” Bain informs us, “… is also a Masonic signal, the number of the Revenge of Lamech, ancestor of Hiram Abiff the Master Mason. Anton Szandor LaVey, founder of the Church of Satan and author of The Satanic Bible, lists the 77 “infernal names” of the “Gods and Goddesses called upon, which make up a large part of the occupancy of the Royal Palace of Hell.” [6] 

As discussed previously, the pentagram/pentacle  – which has a pentagon in its centre – has the reputation of being the most powerful symbol in the occult world used traditionally for invoking less than angelic spirits or “etheric intelligences.” It apparently acts to induce the manifestation of a portal given the right formula and bridge-making abilities. What this means is a disturbing Mega-ritual with: “a number of power combined with a symbol of power” which creates: “… a ceremonial vessel numerically consecrated and filled with living sacrifices violently penetrat[ing] … the inner sanctum of a five-ring jumbo-sized heart-of-a-pentagram in a spewing eruption of flame, glass, steel, flesh and blood … this diabolical ceremonial act was designed as a key to unlock the powers of hell (symbolically, or perhaps more literally than we care to imagine), unleashing them on the denizens of earth.” [7]

All of which tends to put 9/11 in a slightly different “light”… and brings us to the mysterious planes which were spotted on the morning of 9/11 above Washington DC.

Despite the fact that all flights were grounded on 9/11 there seems to have been up to four sightings of planes in restricted airspace. These included Word 31: airborne at 1327; a Venus 22: Gulfstream 3, airborne at 1316 on a scheduled flight to West Virginia; landing back at Andrews at 1354; Gofer 06: a Minnesota Air National Guard C130H, airborne at 1333 an observer to the aftermath of the impacts of AA 77 and UA 93. [8] This means that three planes were spotted in the vicinity of the Pentagon at the time.

The inevitable questions that come to mind are: 1) what were these planes doing in the air when airspace was restricted? 2) How could the Air Force get two military aircraft promptly into the air after the WTC attacks and at the same time fail to get any fighter planes to intercept the “hijacked” planes? A third question pops up when we consider there was a fourth aircraft in the skies. A B747, airborne at 1345; which eyewitnesses called the “white plane.”

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Why Did the World’s Most Advanced Electronics Warfare Plane Circle Over The White House on 9/11? By Mark H. Gaffney | image source: www.911blogger.com/

According to Mark Gaffney’s book The 9/11 Mystery Plane, the aircraft was a modified Boeing 747-200; an E-4B a state-of-the-art airborne command centre worth $800 million which had been painted white. Hi-tec functioning radar outside of FAA and NORAD was well taken care of if we are to believe Gaffney’s claims, which makes a mockery of the excuse that no one in the US defence and military knew that aircraft were targeting the most heavily defended military HQ on earth.

But there was something even more bizarre:

“…information obtained from the FAA in 2008 under a FOIA request, we learn the call sign of the doomsday plane circling in the skies above DC on 9/11… VENUS 77. That’s right. Yet another 77 (apparently you just can’t have too many), and, wouldn’t you know it, yet another pentagram reference: the successive inferior conjunctions of the planet Venus against the Zodiac form a pentagram, thus in occult thought this geometric form represents Venus, and Venus invokes the pentagram… just Google it. (The Romans designated the morning aspect of Venus as Lucifer, literally “Light-Bringer”: Venus = Lucifer.) Here again, the 77 and the pentagram/pentagon, in the air, combined together in magical union[9]

The first Flight 93 memorial site was another interesting example of occult satire. The Boeing 757 jet-airliner (which officially crashed and then completely disappeared into an abandoned mine-shaft while also managing to scatter debris over an eight mile radius) was commemorated with a large red crescent entitled: “The Crescent of Embrace” by Paul Murdoch architects. The design caused controversy to many within 9/11 research and the general US public for the simple fact that it is a direct reference to an Islamic red crescent. In fact, when you take the Red Crescent from the Tunisian flag and superimpose it over the Murdoch design the match is almost identical. Considering that the official story and commemoration is asking us to remember those that died at the hands of supposed Islamic terrorists, is this not an exercise in mockery? To top it all, one online researcher has proposed that this innocent little crescent is oriented towards Mecca. [10]

The project caused such an outcry it was abandoned in favour of a more nondescript, minimalist tribute. However, rather than a one off aberration, Islamic themes under scored with Kabbalistic-masonic overtones are all over the One World Trade Centre memorial site before and after the attacks.

The large metallic sculpture by German sculptor Fritz Koenig called “The Sphere” lies where the WTC North and South Towers once stood and: “… meant to symbolize world peace through world trade, … placed at the centre of a ring of fountains” and where other decorative touches [were] designed by trade centre architect Minoru Yamasaki to mimic the Grand Mosque of Mecca, Masjid al-Haram, in which The Sphere stood at the place of the Kaaba.” [11] Similarly, Scott Onstott shows us more visual connections when comparing the WTC 9/11 memorial site with Islamic monuments and religious iconography that is, as he mentions, so ironic when: “… the official story of 9/11 is of Islamic terrorists who destroyed what the architect who designed the WTC saw as an exquisite monument to Islam.” [12]

Those behind the occult ritual of 9/11 would no doubt be laughing there socks off at the esoteric humour of it all.

Furthermore, Onstott and his colleague Mark Gray discovered that: “… the pier that accesses the Statue of Liberty (SOL = Sun) on Liberty Island is oriented perfectly in line with the Kaaba in Mecca. The red line stretches from the torch of the SOL to the center of the black cube in Mecca.” With further numeric revelations yielding atop the SOL: “… a crown of 7 rays compared to the base star’s 11 points [which] matches the 7:11 proportions of the Great Pyramid from height to base.” [13] Add to this the significance of 666 as “… the precise distance between the Kaaba in Mecca and the Dome of the Rock in Jerusalem [as] 666 nautical miles,” it does make you wonder just when this vast “Game of Thrones” actually began.

A macabre and secret satire is very much part of false flag attacks. For instance, the 7/7 London false flag operation. In 2005, July 7th a London underground train at Kings Cross and a bus in Tavistock Square were blown up killing 52 people. It wasn’t only the fact that Tavistock Square is the heart of Anglo-American tradition of social engineering and mind control but still visible on the side of the wrecked bus was a promotional ad for a horror film which read: “Outright terror, bold and brilliant.” [14]

outrightterror_thumb.jpg7/7 Bombings Tavistock Sq, July 2005

Similarly, another repellent aspect of occult satire embedded in the 9/11 ritual came from the aftermath of September 11th and the million tons of material which had to be removed from Ground Zero and the surrounding area. As WTC steel and other key evidence was whisked away care of Mayor Rudy Giuliani, another nearby landfill site was appropriated for detective and forensic teams so that they could sort through the debris and begin identification of at least some of those who died in the attacks. Approximately one-third of the rubble found its way to the site and after 1.7 million hours, more than 1,600 personal effects were retrieved, over 4,000 human remains recovered and finally, 300 people were identified. The remaining material was buried in a 40 acre section of the landfill site. [15]

The name of this site?

“Fresh Kills Landfill” on Staten Island.


Notes

[1] ‘The Scottish Rite’s KKK Project’ by Anton Chaitkin | Exective Intelligence Review and http://www.theforbiddenknowledge.com/hardtruth/scottishriteproject.htm
[2] pp. 174, 181; The Secret Destiny of America, By Manly P. Hall (1944) This edition published by Tarcher, 2008 | ISBN-10: 15854263628.
[3] op.cit Bain (p.92)
[4] http://www.cosmicpuzzle.com/lore.htm
[5] ‘Oculus World Trade Center Transportation Hub is $2 Billion Over Budget and Seven Years Late’ Daria Daniel, Wednesday, February 18, 2015.
[6] The Satanic Bible:‘ ‘Hell, the Devil and How to Sell your Soul,’ 4 Crown Princes Of Hell’ by Anton Szandor LaVey: | http://www.e-reading-lib.org/chapter.php/73307/17/LaVey_-_The_Satanic_Bible.html
[7] op. cit. Bain (p.43)
[8] ‘9-11: The Mystery Plane; not so mysterious’ www.oredigger61.org/?p=136
[9] op. cit. Bain (p.46)
[10] ‘Flight 93 Memorial Project’ http://www.zombietime.com
[11] ‘The Mosque to Commerce – Bin Laden’s special complaint with the World Trade Center.’ By Laurie Kerr, slate.com, December 28, 2001.
[12] ‘Freedom Tower’ By Scott Onstott, http://www.secretsinplainsight.com, August 31st, 2011.
[13] Ibid.
[14] Please visit http://www.terroronthetube.co.uk and read his book: Terror on the Tube: Behind the Veil of 7/7, An Investigation by Nick Kollerstrom 2009. | Also worth watching is 7/7 Ripple Effect by John Hill which can be found at www. jforjustice.net/77/ and here: 7/7 Ripple Effect (2
[15] ‘Items from World Trade Center Recovery Operation, Fresh Kills Landfill’. Online Collections Database. Staten Island Historical Society. | ‘Landfill Has 9/11 Remains, Medical Examiner Wrote’. By Anemona Hartocollis, New York Times, March 24, 2007.

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Occult Zionism III: Magica Sexualis

“Judaism secretly teaches, as have the occult secret societies throughout the ages (in our time, Hindu Tantrism and the Ordo Templi Orientis or OTO), that the mystic can find redemption through a heroic willingness to do evil for the sake of a subsequent redemptive ascent to the highest spiritual good; immersion in the lowest of the low thus becomes a path to redemption …”

author/historian, Michael Hoffman


Superstition, pagan inversions and various forms of black magick comprise the core of Judaism’s oral traditions. Displacing the older Palestinian Talmud, the Babylonian Talmud remains a foundational pillar of Rabbinical study and discourse, as influential now as it was at its inception in Babylon over eighteen hundred years ago.

In his Magnum Opus Judaism Discovered (2008) Michael Hoffman draws our attention to the prominence of magica sexualis  (sex magick) in the Talmud which was so much a part of the Babylonian religions. The Kabbalah laid the groundwork with abstruse mystical expositions offering windows into mystical conjunctions, alchemical formuale and the evolution of necromancy. This also includes raising the dead, demonic invocation, psychic spells to cause harm upon their enemies; creation of the homunculus/golem, the development of thaumaturgy (“miracles” i.e.the manipulation of matter) and various exegesis on raising the Kundalini.

A few examples:

  • Rabbi Simon ben Yohai used magic to turn an opponent into a “heap of bones” (Shevi’it 38d).
  • To call up the demons to assist in sorcery is not idolatry, because the demons are not worshipped as divinities. (Rashi’s commentary on BT Sanhedrin 65a: Cf. footnote b (1) in the Soncino edition of BT Sanhedrin 65a).
  • Rabbi Hanina and Rabbi Oshaia spent every Sabbath eve in studying the ‘Book of Creation,’ by means of which they created a third-grown calf and ate it. (BT Sanhedrin 65b).
  • If a corpse is raised from the dead by means of magical incantations, the dead person does not rise up in the usual manner, but upside down and furthermore, he does not rise up on the Sabbath. But, if he is raised from the dead by means of a “skull” (sphere, i.e. crystal ball), then he rises from the dead in the usual manner and even on the Sabbath. (BT Sanhedrin 65b [Steinsaltz]).
  • A me’onen is “someone who passes seven kinds of semen from seven different animals over his eyes for magical purposes. (BT Sanhedrin 65b [Steinsaltz]).
  • Rava once created a person, after having studied the Book of Creation, and learned to combine the letters of the divine name. (BT Sanhedrin 65b) [Steinsaltz]). [1]
Tree_of_life_bahir_Hebrew.svg

Ten Sefirot “Tree of Life”: Keter (supernal crown, representing above-conscious will) Chochmah (the highest potential of thought) Binah (the understanding of the potential) Daat (intellect of knowledge) Chesed (sometimes referred to as Gedolah-greatness) (loving-kindness) Gevurah (sometimes referred to as Din-justice or Pachad-fear) (severity/strength) Rachamim also known as Tiphereth (mercy) Netzach (victory/eternity) Hod (glory/splendour) Yesod (foundation) Malkuth (kingdom)

One could say that all this is irrelevant since we have all moved on and the above examples are not at all part of Kabbalistic law. Unfortunately, that is not the case. Directly and indirectly, Kabbalistic practice is both the inspiration and template behind many more unsavory expressions. The Kabbalah has elements of Eastern and Hindu magical practices mixed with traditional Medieval Rabbinic exhortations for the raising of Kundalini fire, a recognised practice for those consciously (or unconsciously) seeking the fast track to “enlightenment,” with all the danger that implies.

Not that the Kabbalah is all bad. It isn’t. There are some fascinating and profound elements within this vast collection. However, it does depend who is using it and how …The Talmud and its Kabbalistic magick forms the backbone of Judaism and applied by some Hassidic, Chabad and Zionist ambitions.

This should at least give pause for thought.

The explosion of magick in the Middle Ages which saw the creation of so many occult arts was borne from the same influence of Jewish Kabbalists. By the 1400s, the Mediterranean countries of Italy, Spain, Portugal and Southern France were common strongholds. There is a scholarly consensus that the Kabbalah was largely put together in its current form by Isaac Luria the Rabbi and Jewish mystic from the mid 16th Century (hence the reference to the “Lurianic Kabbalah.”) His source was the 13th Century Zohar published by the Spanish Jew Moses de Leon, an esoteric form of the Torah’s Midrash. He in turn, ascribed the work to Shimon bar Yochai a rabbi of the 2nd century.

The Jewish Mystery schools that grew around what was now the Lurianic or modern Kabbalah, were a veritable honey-pot of black magick and effectively forms of religious CoIntelpro. The left and right hand paths, are all bound up in complex magical formulas and systems of divination which go around and around in endless circles to tempt and stimulate the would be initiate. The message is that there is no evil per se, morality is relative where the shadow side of one’s life has to to be seen and integrated. These are half-truths missing context. In the cultural milieu of the day, the nuances of these estoteric principles were soon lost in the race up the ladder of magickal power – much like today. Some things never change.

Communing with “God,” angels, daemons and predicting the future also has an easily accessible flip-side …Darkness was indeed acknowledged and then fully embraced rather than integrated. The “keep busy” activity that the Kabbalah promoted offered a marketing dream in talismans and amulets as spin-off merchandise.  As ideas were drawn from extremely ancient wisdom they were gradually updated and muddied with magick and mystical Messiansim, so it was understandable that the Sephardic Jewish leaders in Moorish Spain saw the Zohar as phoney and banned it – which obviously made it even more popular.

It wasn’t long before the Kabbalah attracted its fair share of cultists, the most prominent and radical being Sabbatai Zevi. A Sephardic Rabbi and avid Kabbalist magician, Zevi‘s claim to fame was that he believed he was the Jewish Messiah. The Jewish Sabbatean movement was the result and with an ever burgeoning flck of followers, he was able to spread his cult (and the kabbalah) far and wide. Much to the shock of his beloved supporters he converted to Islam.

Eugene Canseliet’s preface to the Second Edition Le Mystere des Cathedrales, by the grand alchemist Fulcanelli, an important difference is made between “Kabbalah” and “Cabala” explaining the spiritual distinction between the two as well as the reasons for the Kabbalah’s hijacking of a more authentic spiritual Gnostic thought:

“… the Jewish Kabbala is full of transpositions, inversions, substitutions and calculations, as arbitrary as they are abstruse. This is why it is important to distinguish between the two words, CABALA and KABBALA in order to use them knowledgeably. Cabala derives from cadallhz or from the Latin caballus, a horse; kabbala is from the Hebrew Kabbalah which means tradition. Finally, figurative meanings like coterie, underhand dealing or intrigue, developed in modern usage by analogy, should be ignored so as to reserve for the noun cabala the only significance which can be assured for it.” [2]

In Nesta Webster’s 1924 Secret Societies and Subversive movements she states:

…it was…in Italy that, a century later, the modern Cabalistic school was inaugurated by Isaac Luria …. whose doctrines were organized into a practical system by the Hasidim of Eastern Europe for the writing of amulets, the conjuration of devils, mystical jugglery with numbers and letters, etc… Italy in the fifteenth century was thus a centre from which Cabalistic influences radiated, and it may be that the Italians who indoctrinated Gilles de Rais had drawn their inspiration from this source. Indeed Eliphas Lévi, who certainly cannot be accused of “Anti-Semitism,” declares that “…the Jews, the most faithful trustees of the secrets of the Cabala, were almost always the great masters of magic in the Middle Ages… [3]

The Kabbalah had already evolved into an assemblage of doctrines and speculations thanks to the Talmud, the secrecy of its existence was in full force due to the nature of its heretical ideas. Webster quotes Gougenot des Mousseaux on the definition of the Kabbalah, meaning to receive, transmit, and which “represented the spiritual traditions transmitted from the earliest ages, although mingled in the course of time with impure or foreign elements.” There were in fact, two Cabalas, the other doctrine formed from an oral tradition, an “ancient sacred tradition handed down from the first patriarchs of the human race; and the evil Cabala, wherein the sacred tradition was mingled by the Rabbis with barbaric superstitions, combined with their own imaginings and henceforth marked with their seal.” [4]

We say that the true esotericism might be an older Arabic “Cabala” while the imposter retains the Talmudic, Hebrew spelling of “Kabbalah.” It was here that the Kabbalah hitched a ride from the initiated excess of Babylon via the Pharisees in Jerusalem, through the Talmudists of Spain; the rabbis of Russia right up to the Zionists still busy fermenting pain and suffering on a grand scale. (It is only Putin who has been able to carefully reign in the Russian-Jewish Mafia and oligarchical power in Russia).

It’s contemporary popularity and alignment with Zionism was thanks largely to two Zionists who saw a good propaganda ploy and the gullibility from a new generation of romantics and occultists hungry for meaning. Kabbalah had enough cryptic, codified “wisdom” to keep everyone from academia to magazine and agony aunt bloggers busy. It would also provide the needed haze of mysticism to bolster the nationalistic drive of Zionists who lacked any association with spirituality. This mysticism and associated freemasonry appealed to the romantics in Europe and America so that many more would be available to be used and abused by Zionist mendacity.

Zohar

Title page of the first printed edition of the Zohar, Mantua, 1558. Library of Congress.

Herz Imber injected the needed imagination and national fervour into Zionist Israel by writing its National Anthem Hatikvah. By 1892 he had settled in New York and was busy publishing a newsletter propagating his interest in Kabbalah and the mystical arm of the fight for a State of Israel. He was a key element in the introduction of occult concepts to the US. The German-born historian Gershom Scholem was perhaps the most influential in making sure Kabbalah gained scholarly respect and increasing the romantic struggle for the Zionist rationale. Edward Rothstein writes in a New York Times Article of 1999: “Scholem, who moved to Palestine from Germany in the 1920s when Zionism was winning support among European Jewish intellectuals, interpreted Jewish mysticism to suit Zionist ideology. He moulded the history of Jewish mysticism into a story about national and spiritual evolution.” [5]

Rothstein mentions another Kabbalah worshipper Mose Idels and his 1988 collection of papers, Kabbalah: New Perspectives  which argues that “nearly everything about Scholem’s interpretation of mysticism, from his emphasis on the exile of the Jews to his focus on textual interpretation rather than ecstatic experience, was a reflection of his intellectual origins in German Romanticism.” It led to many English and American gentlemen in high society prone to right-wing religio-occult romance to rally to the cause of Christian Zionism and the signing of the Balfour Declaration of 1917, the gateway to British Middle East monopoly.

Kabbalistic thought, despite its fascinating mysticism was, in the final analysis, sourced from the pathology of Babylonian Talmudism and adapted to the politicised racism of the Zionists. Designed to buffer and distract from true spirituality, the Jewish Kabbalah and all its distortions serve to mask the nature of an authentic Arabic influenced version of the phonetically more accurate “Cabala.” Jewish peoples everywhere are just as much victims of Zionist designs as the “gentiles” that, according to the Zohar, the five volume tome of Kabbalistic thought, should be “wiped off the face of the Earth.” (Z.,I,25a). The commercial Kabbalah is now the New Age associate of Zionism, the results of which are as fraudulent as the political machinations of the latter.

At this stage of the game with the background of blood and carnage that is Zionism, one has to wonder, why so many Hollywood celebrities seem to be embracing the new fad of the Kabbalah. From the late Michael Jackson to Britney Spears, Elizabeth Taylor to Demi Moore. The Queen of the music Industry manipulation is Madonna, who has taken to the “Kabbalah for dummies” ethos and the exorbitant charges of tuition that go with it: “You absolutely are the master of your destiny,” she remarked on music channel MTV, “You have to take responsibility for your life”. Such new age candyfloss sits easily with the image of feminist emancipation whilst being a willing Grand Priestess for music business occultism throughout her career. [6]

It was inevitable that the occult theology of a strand of Jewish Kabbalism would find its way into popular culture and its mass programming appeal after skirting around the shadows for so long. It purports to be system of spiritual knowledge but is in effect a spider’s web of anaesthesia designed to appeal to the mass movement of New Age advocates.

madonna-bapthomet-tile

Kabbalah devotee Madonna performs yet another Grammy award ritual in 2014 (left) Whether S & M bondage or a Nazi fashion show (right) in many of her videos Madonna is one of a host of pop stars pushing the dark side of the occult and Kabbalah and a host of other unhealthy forms of mass entertainment programming.

Commensurate with the rise of psychopathy and schizoidal tracts designed to elevate psychopaths to power, the suppression of certain forms of pantheistic Goddess worship often most closely aligned to matriarchy has taken place. What appears to go hand in in hand with the worst aspects of patriarchy in monotheism is no less raw in the Talmud. It is an obvious truism that arcane study and social rule has been the province of men. As such, women and children are exploited as tools for sex magick, and their perceived inferior status must be constantly reinforced. As former Knesset politician and journalist Yossi Sarid summarised: “Treating women as impure and filthy begins with halakha and continues with actions. As long as the religious and ultra-Orthodox parties – Shas, United Torah Judaism, Habayit Hayehudi and National Union, none of which have any women in the Knesset – are not disqualified, their nakedness will continue to sing out and the nakedness of the land will be revealed.” [7]

Whilst condemning all women in general as witches Rabbinical writings offer very few examples of dolling out punishments to Jewish women. There are however, plenty of instances where Gentile women are given a taste of Talmudic retribution.  Even the apparently saintly Rabbi Moses Maimonides who is assumed to be above superstition entirely, does in fact, decree an exemption from punishment for those who practice witchcraft. But only for Jews. But Jewish women are seen as equally undeserving of special treatment since it is Jewish men who hold the keys to messianic salvation. Otherwise, the culprit should be whipped. [8]

This is just one example which indicates the opposite meanings behind Christian and Jewish renderings of religious indoctrination, as Hoffman explains:

Tikkun olam is the name for the alleged Kabbalistic “redemption of the world,” but the rabbinic concept of redemption is very different from what that term signifies to Christians. A deeper understanding can be gleaned from the teachings of one of the major Kabbalistic “sages,” Rabbi Isaac Luria, who said that after tikkun was accomplished the spirit of Cain would prevail on earth. 424 Sanhedrin 25d comments on the Talmudic observation that most Judaic women are witches by observing that “such is the way of the world.”

By Talmudic standards, Judaic female witchcraft is not something extraordinary; it is an inherent quality of Judaic women, along with other problems endemic to this “sack of excrement” (BT Shabbat 152b) and “valueless treasure” (BT Sanhedrin 100b), including a proclivity for murder (Peskita Rabbati, 107b). These supposed female attributes ascribed by the rabbis are regarded as ineradicable and a foreshadowing of qualities that will predominate once the “tikkun olam” is implemented.

Moreover, witchcraft in the Talmud is not exclusively an attribute of Judaic women. The rabbinic books of black magic of the Babylonian era, such as the Sefer HaRazim and Harba de Mosheh, were compiled by Judaic males. BT Sanhedrin 17a decrees that to be qualified for appointment to the Sanhedrin (religious court), a man must be a practitioner of sorcery. [9]

Excerpt from Harba de'Moshe ,The Sword of Moses

Excerpt from Harba de’Moshe ,The Sword of Moses

It is in the following passage that we see once again, another extraordinary repetition of a techo-scorcery to which we are now accustomed. Yet, religion dressed up as moral code is closely aligned to the occult equally dressed up as liberation for those “in the know”. Both have a symbiotic pathology in terms of injecting the mass mind with the instinct of fear and the abdication of responsibility. The  fascination with bio-engineering, and artificial intelligence is now beginning to dominate Western elite societies is apparent in the philosophy and Jewish Marxist ideology of transhumanism. (see Technocracy I) The same alchemical, “topological metaphor” is played out in the Talmud as part of a template of future manipulation. The world is imperfect, but Talmudic law will force into being the subjective “perfection” in the manner of a snake eating its own tail; it is perceived as the perfect authority of Yahweh channelled through the “chosen ones” and no reflection of objective reality is permitted lest the mirror of such a vicious circle is broken.

We know that Yahweh/Jehovah is a rather different God of the Christ Consciousness, the conscience grown to facilitate service to others. The Talmudic doctrine is the personification of service to self, thus, the “Alchemy” here is of an entirely different quality.

Hoffman explains how hubris runs through the entire doctrine in the form of Merkervah magick and a singularly Jewish form of alchemy:

Here we see Kabbalistic sorcery appearing in the Talmud, reflecting the unbound, Promethean man-is-god philosophy which stems from the rabbinic doctrine that: everything that G-d created needs completion (hashlamah) and repair (tikkun). G-d initated, but did not perfect the work of creation (ma’aseh bereshit); the universe created by G-d is imperfect and will be made perfect (bara la-asot), by Klal Yisroel (the Judaic people).

Rabbi Hanina and Rabbi Oshaia’s act of magical proto-cloning of a calf is viewed in Orthodox Judaism by such luminaries as Menachem HaMeiri, as a proud accomplishment. Whereas in the literature of western civilization from Christopher Marlowe’s Doctor Faustus to Mary Shelley’s Frankenstein, tampering with God’s creation was depicted as an unmitigated disaster. [10]

One of the oldest repositories of Babylonian magic in Judaism are the texts, Sifrei ha-Iyyun, the Sefer ha-Bahir and the Hilkoth Yesirah (also known as the Sefer Yetzirah), circa 200 A.D.; the earliest extant copy of the latter is the Genizah ms., tenth century. “…the practice associated with this school of thought is magical/theurgic, even including the attempt to make a golem.” The “strand of earlier tradition is that of Merkavah mysticism. Merkavah designates a form of visionary mystical praxis that reaches back into the Hellenistic era but was still alive as late as tenth-century Babylonia…the old Merkavah and magical literature was preserved among the earliest Ashkenazic Jews…” [11]

Merkavah/Merkaba mysticism is now a strong part of new age CoIntelpro care of Dan Winter and Drunvalo Melchizedek and their “Flower of Life” money spinner which is without question the worst examples of delusional new age dogma I have ever witnessed (but that’s another story). The golem is probably another version of the Homunculus, though with a vital difference.  In the latter Western Hermetic tradition it refers to the building of New Man and his transformation into a symbol of the Holy Grail or Philosopher’s Stone. In the Talmud, as the doctrine of a Divinely chosen people destined to bring about a Jewish Utopia on earth, the golem is a not too veiled reference to create the Jewish people anew and at the same time, a mechanism to cope with life in a Gentiles’ world. The golem can also be seen as both the Gentile and repository of an almost Freudian vessel of Jewish neuroses and imagination.

Kabbalah-Centre-1987

1987 Kabbalah Centre promotional literature

Tractate Sanhedrin 38b sees Adam as a golem “a body without a soul” when his dust was “kneaded into a shapeless husk”. In Hebrew “golem” stands for “shapeless mass”. [12] All golems are created from mud, by those close to divinity, namely the Rabbis – but no golem is fully human – or thereby Jewish. Magical invocations are performed with Hebrew letters of the alphabet and dancing around the object. Other stories have the magician write the letters aleph, mem, tav, and emet on the golem’s forehead in order to fire up the life forces. (It’s all in the magickal invocation apparently)  Ashkenazi Hassidic folklore has the golem appear in many of its stories as a servant or slave assigned to do various menial tasks and to protect Jewish communities from dangers.

According to the Virtual Jewish Library:

“The most well-known story of the golem is connected to Rabbi Judah Loew ben Bezalel, the Maharal of Prague (1513-1609). It was said that he created a golem out of clay to protect the Jewish community from Blood Libel and to help out doing physical labor, since golems are very strong. Another version says it was close to Easter, in the spring of 1580 and a Jew-hating priest was trying to incite the Christians against the Jews. So the golem protected the community during the Easter season. Both versions recall the golem running amok and threatening innocent lives, so Rabbi Loew removed the Divine Name, rendering the golem lifeless.” [13]

It’s fairly obvious that “golem” is little too close to “goyim” for it to be coincidence. The golem serves as a Frankenstein figure upon which Jews were able to project their frustrations and fantasies concerning their lot in the world and their relationship to non-Jews. It is a form of cathartic release; a voodoo doll to bolster faith and defence against “the other”, a literary device to exorcise doubt and a mirror of Jewish collective shadows. Yet, these are never truly acknowledged since the fear and narcissism inherent in Talmudic doctrine can never see itself as it is. The golem is always fear personified: what if we become this? What if we become like THEM? G-d will never forgive us! For instance, the golem’s lack of intellectual ability and animalistic impulses is compared with the Jew’s which is naturally of a higher order.

Golem_and_Loew

Rabbi Loew and Golem by Mikoláš Aleš, 1899.

The Journal of New York Folklore mentions the oral legends with their root source as the Talmud, and where: “…the golem’s ‘gruff appearance permits him to infiltrate the gentile community’ as a spy.” The tradition states that an enlightened Jew – a master magician – is the only one who can create the gentile-like anthropoid of the golem. [14] Is this really the action of an enlightened individual? To create a being as a slave, as a vessel for one’s emotional, unresolved shadows and to reinforce the idea that all non-Jews are merely the external bootstraps required to lead them to God and rulership? Such a dissonance set up between objective reality and subjective programming shows the golem as a: “… perfect medium through which Jews could express and debate anxiety about adopting the tactics of what had been seen as the inferior other, the gentile.” [15]

As mentioned, we know that according to the Halakah Jewish women are of a lower order, thus seen as a creation of the male semen which imbues the female into something useful, on a par with gentiles. They are therefore, considered crypto-golems: ‘For your maker is your husband; the Lord of Hosts is His name’ (Isaiah 54:5) (Sanhedrin 22b}”. Similarly, the renowned Rabbi Bezalel Loew wrote in his book Be’er Hagolah: “…that men, through sexual intercourse, endow women with spirit and physical form.” [16]

The Jewish female is akin to a “lesser other” of the golem’s world and purely a tool for progeny. So, it seems even Jewish women can’t endow Jewish men with anything of consequence, in much the same way as Gentiles are automatically of no use, except perhaps in terms of taking full advantage of their golemic ways. It is not symbiosis that Talmudic programming demands, but a parasitical relationship to others, a metaphor for when Jews are the rulers and the Goyim are in their pre-ordained place as slaves:

““… as one who does work that Jews, by tradition, are prevented from doing themselves, the golem can be compared to the shabbes goy, or Sabbath goy. (Because Orthodox Jews are prohibited from performing certain tasks on the Sabbath, such taboo work was performed by gentiles; thus, “shabbes goy.”) In one early Polish golem legend, the golem serves as a shabbes goy and is put to work lighting ovens. …In the more complex works by Leivick, Singer, and Wiesel treated here, the golem performs other more complex but equally taboo behaviors Jews were prevented, by tradition, from performing themselves.

The golem in Yudl Rosenberg’s 1909 version was an innocuous figure. He could not speak. The closest he comes to any significant contact with a woman is his rescue of the living Christian girl who was assumed to have been sacrificed and his delivery of her to the proper authorities. Rosenberg’s golem is merely a “domestic android whose programming needs fine tuning.” [17]

640px-Prague-golem-reproduction

Golem of Prague reproduction (wikipedia)

We have already established that non-Jews are considered satanic in the Talmud and therefore interaction is only condoned in order to gain something that will benefit Jews and thereby the collective Jewish destiny. (The” end justifies the means” so much a part of Zio-Conservative ideals is perfectly at home in the Talmud). Non-Jews are more akin to animals since they have no souls; they are artificial creatures who can only have the Divine breathed into them by the chosen. Since God is the ultimate creator of life and God in the Talmud is synonymous with Rabbinical magic and the Jewish soul, then the only hope for gentiles is to accept the representatives of the  coming New Order of Jewish Utopia as their lords and masters. But even then, there seems little hope for the non-Jew as the golem/goyim remains a lifeless and unthinking as a zombie, despite vain attempts to educate and imbue him/her with Jewish law. Such is the irrevocable fundamentalism hewn into the rock of the Talmud and Hassidic consciousness.

The gentiles serve only one purpose in Talmudic law – the energy needed for an End Times sacrifice. Not only does this parallel the “useless eaters” philosophy of the 3EM: the depopulationists and eco-fascists who see humanity as a virus to extinguish, it aligns with occult-transhumanism, those for whom the human body is weak and inherently worthless; where consciousness – if it exists at all – cannot possibly trump a black-hole of bio-centrism. But most importantly, a Singularity of alchemical transformation for the individual and the world can only be achieved by the arrival of robots and a final battle between human and artificial life, leading to the inevitable fusion of mind and machine – over which will preside the designated theocracy of cyborgs.

In each case, salvation is through the focus on matter, symbolically and literally; a salvation that inverts the true meaning, that such a transformation lies not in one’s own self-development and service to others, but via a dualistic and parasitical supremacy over each grouping – through the ultimate fear of death. 

As pathocratic controllers remain at the helm of such advances, genetic engineering and the rise of SMART technology can be seen as a very real expression of black magick. The impetus behind this Cartesian obsession with technology derives from those who do not have the best interests at heart for humankind. Equally, since it is the manipulation of matter for self-enhancement at the cost of the alchemical change which comes from within – not from without, these advances are pushing the mass mind down a dark valley of diminishing returns. They are able to do this through a collective willful blindness. As discussed in the Technocracy series, such manipulations amount to a simulacra of spirituality in order to gain knowledge through power – a Will to Power – an echo of the Pharisees overshadowing the modern desires of occult-Zionists.

Hoffman correctly draws our attention to the idea of a “redemption through evil” as a formal Satanic practice of initiation which runs through the Talmud. Yet, it is a redemption where the energy of humanity is used for their own selfish ends, as both “nourishment” and sacrifice.  This no different to the Hegelian Order through Chaos, or the transhumanist intention to become superhuman through a merging of the machine and human mind. Hubris connects them all.

Hoffman reminds us that these facets are part of a continuum:

Judaism secretly teaches, as have the occult secret societies throughout the ages (in our time, Hindu Tantrism and the Ordo Templi Orientis or OTO), that the mystic can find redemption through a heroic willingness to do evil for the sake of a subsequent redemptive ascent to the highest spiritual good; immersion in the lowest of the low thus becomes a path to redemption: “…the concept of the descent of the Zaddiq, which is better known by the Hebrew phrase, Yeridah zorekh Aliyah, namely the descent for the sake of the ascent, the transgression for the sake of repentance…Much attention has been paid to this model because of its essential affinities with Zoharic and Lurianic Kabbalah…this model was a very important one in Hasidic thought…” [18]

Just as we saw the repetition of unresolved disasters in the collective human psyche tend to repeat through generations – like a psycho-spiritual virus – so too, we have the same lessons repeated in the guise of Prometheus/Lucifer the Bringer of Light (misuse of technology) and the Zionist hubris that goes with it. Current absolutist manipulations of matter as a new form of worship can easily be likened to a return to Rosicrucian magick, in turn, a throw-back to Babylonian, Egyptian and Atlantean ancestors who all practiced the same art of sorcery. These repeating cycles had a common theme: the progenitors of ancient Egyptian/Judaic Royalty or Priesthood which ruled through totalitarianism and ultimately destroyed itself over and over again through an ebb and flow of empires. The freemasonic line continued, splitting into two streams: Service to Self via Rosicrucian (illuminati) / Order of Zion; and Service to others through the lesser known freemasonic movements dedicated to humankind’s collective ascension. (Yes they do exist).

Khajuraho sculpture

Hindu Tantra Sex Magic (Khajuraho sculpture, India)

So, we had a core source of pagan rituals synthesised from a potpourri of Egyptian, Hindu, South Asian Tantra and Indian yogic techniques into the “science” of Kabbalah and formalised into a code of law in the Babylonian Talmud. It was the Kabbalah that provided a more refined instruction (and distraction) for sex magick, repeating the past origins of Canaanite excess. One avenue used for the contouring of human sexuality and by extension, spiritual potential, takes place through the practice of ritual magick. These now form a part of romantic aspiration in New Age circles where raising the Kundalini is something very far from reaching enlightenment. Rather, it encourages us to play with a misunderstood “energy” that effectively burns away the etheric webs separating the centres/chakras to alight the “fire of consciousness” as it travels up the spine to the brain.

In fact, this energy rises naturally, gently and without assistance and as consequence of self-development, not the other way around, despite what the many books on the market will tell us.  

The Tantric aspect of Kabbalistic magick includes the act of Maithuna meaning “sexual union” and is one of four other techniques: matsya, mamsa, madya and mudra. The Christian tendency to scriptural puritanism to which Hoffman ascribes, means that this is automatically “sinful”. However, prudishness apart, the Tantra as an esoteric practice with the correct teacher may offer constructive outcomes. The tantric context of spiritual transformation is hardly going to be a realistic outcome cast adrift in the ocean of Talmudic authoritarianism. Perhaps this is the problem with a pic ‘n mix combination of esoteric doctrines from Asia, India and the Middle East: absorbing other cultures’ paths to spiritual transformation with its emphasis on physical union which may or not be valid in their cultural context, means that all those intrinsic distortions are brought with it, as are the more positive attributes which are inevitably lost in translation – sometimes quite literally – and through adaptation, are inverted to something quite different. The result is a hybrid form of ascension grafted onto an authoritarian instruction manual that elevates race supremacy, patriarchical values and physical and sexual abuse as part of the underlying qualities required for doctrinal obedience.

The Lilith Goddess of pagan belief and moon worship is integral part of the Talmud, particularly in Orthodox Judaism, since this appropriated Goddess rules over the sexual organs and sexual acts for the male. As such, she was seen as demonic. As natural sexuality is viewed as part of the world of the gentile and therefore dirty and forbidden, Lilith has come to represent a deity that must be kept at bay with talismans and amulets. This is another belief that encourages neurosis and anxiety, particularly concerning masturbation and nocturnal emissions; even the admiration of female beauty requires unhealthy superstitions to ward off Lilith’s dark seductions. In transhumanism, updated technology is used to ward off death and the promise of longevity, here, this archaic “technology” of talismans and amulets serve to keep the aspirant “pure” by denying the shadow self and therefore falling back into the Talmudic stockade on consciousness – the real definition of what it means to be ritually, magically bound. [19]

In a similar vein, the Goddess Shekinah – a feminine word in Hebrew and alter ego of Lilith – represents the feminine attributes of God, according to the Talmud. It is the feminine presence during temple rites and is an important part of the Kabbalah. According to the Jewish Encyclopedia: “The Shekinah is often portrayed as a bride or princess whose male lover is the composite of the nine upper sefirot, represented by the prince/bridegroom Tiferet.” Shekinah is also equated with the land of Israel and “‘Keneset Yisrael,’ the personified spirit of the People of Israel” in order to act as a kind of spiritual crutch for the trials and tribulations of Jewish people in exile. [20]  She is symbolic of only true and spiritual sacrifice as bestowed by the Shekhinah Fire. Significantly, Lilith/Shekinah are symbolised by the moon and the left hand path. It is also a common inspiration for ritual sacrifice associated with war for Zionists, something that was personified in the blood and fire of the Iraq invasion.

Lilith_(John_Collier_painting)

Lilith (1892) by John Collier in Southport Atkinson Art Gallery  (wikipedia)

Though not always associated with black magick, moon worship certainly has a chequered history. The moon has an archetypal legacy of death, the ebb and flow of lifeforce; qualities connected with creative imagination, fantasy, lunacy and the home of negative entities in various cultures. Such attributes don’t exactly give us a happy outcome, given the Lurianic context.

Many left and right hand paths in secret societies keep a close watch on the waxing and waning of the moon since it is during the full moon that “etheric energies” are at their height and where the veil between higher dimensions is said to be thinner, thus conducive to invocation. Thus, if one wishes to send “love and light”, manipulate matter or say hello to Baal  – this is the time to do it. Either way, black or white magic comes to the same thing: manipulation. Sure enough, the Kabbalah is big on moon-lit rituals:  “The performance of the lunar Shekhinah ritual known as Kiddush Levanah is dependent on the visibility of moonlight because, according to the Kabbalah, it is by this means that the goddess is made manifest.” [21]

The idea of the true sacrifice has been inverted to represent literal blood sacrifice, in turn aligned to satanic rituals which gain psychic nourishment from such a release; a conjunction of endocrine chemicals, negative emotion and adjoining “receptors” in dark realms. (Yet, there doesn’t have to be sacrifice for structured rituals linked to organised religio-occult practice for it to be harmful in a psycho-spiritual sense. Rituals bound to magic formulas ultimately restrict consciousness). We then have the “Holy Spirit” manifesting by the light of the moon and widely seen as an invisible presence of God …  

But the question is, if these rituals are at root, based on the collection of amalgamated writings of the Talmud with so many allusions to the dark half of its many gods and deities  – what exactly are they likely to be manifesting based on current evidence?

I’d like to quote what I wrote in Technocracy XVI: Occult Transhumanism (1) regarding Babylon’s Tower of Babel myth in this context:

“It was this alchemical sacrifice of the lower personality and the accumulation of energy for service to others that was inverted to manifest as a literal physical human sacrifice to appease the Gods. Original sacrifice was … of deeper significance in that it symbolised cosmically as primary differentiation of matter into form and diversity; God’s sacrifice to know Himself further – through us. This sacrificial alchemy can be seen in the neophyte’s descent into the Underworld as well as the archetypal boiling of bones and flesh of the initiate in Siberian shamanism.”

This inversion of pre-history truths incorporating alchemical transformation and a knowledge of a human-cosmic cycle where the Earth was periodically “re-set” according to the behaviour of its inhabitants has been progressively distorted in order to be interpreted in strictly materialist terms. This has allowed the same cyclic manifestation of pathocratic “priesthoods”  to inveigle their way into power by hijacking perennial truths that seek to liberate humankind and replacing them with magick and authoritarian myth to imprison it. The Talmud is a primary marker in such programming and provides the root source to many of our modern expressions of the same old Yahwehic sacrifice.

The question is: does ritual human sacrifice still exist at the heart of Occult Zionism?

YHWH_Goya

 “Tetragrammaton [or YHWH] by Francisco Goya: “The Name of God”, YHWH in triangle, detail from fresco Adoration of the Name of God, 1772.” […] It is one of the names of the national God of the Israelites used in the Hebrew Bible.” (wikipedia)

 


See also: The Saker interviews Michael A. Hoffman II


Notes

[1] paragraph 2.753 Judaism Discovered By Michael Hoffman (2008) (kindle edition)
[2] p.17; Le Mystère Des Cathédrales: Esoteric Interpretation of the Hermetic Symbols of the Great Work | 2nd Edition ,Published by Brotherhood of Life 1984.
[3] p.78’’; Secret Societies and Subversive movements (1924) By Nesta Webster Published by Book Tree in 2000 edition.
[4] Ibid; p.11.
[5] ‘From Celebrities to Zionists, Kabbalah an Endless Source of Solace’ By Edward Rothstein,  New York Times/March 20, 1999.
[6] ‘The 2009 VMAs: The Occult Mega-Ritual’ The Vigilant Citizen Articles Compilation (3rd edition) May 2014. | See also: http://vigilantcitizen.com/latestnews/madonnas-mdna-tour-replete-with-illuminati-agenda/
[7] ‘Orthodox Judaism treats women like filthy little things’ By Yossi Sarid, Haaretz, | Dec. 30. 2011.
[8] BT Sanhedrin 65b, Steinsaltz, v. 18, p. 209.
[9] BT Sanhedrin 17a
[10] op. cit Hoffman paragraph 2.750 | Gershom Scholem, (Jewish Theological Seminary of America, 1965).
[11] Ibid.
[12]
Modern Jewish History: ‘The Golem’ by Alden Oreck | https://www.jewishvirtuallibrary.org/jsource/Judaism/Golem.html
[13]Ibid.
[14] ‘Golem as Gentile, Golem as Sabra: An Analysis of the Manipulation of Stereotypes of Self and Other in Literary Treatments of a Legendary Jewish Figure, New York Folklore XXIII:1-4 (1997):39-64.
[15] Ibid.| Byron Sherwin, The Golem Legend : Origins and Implications (New York: University Press of America, 1985).
[16] Ibid. | Isaac Bashevis Singer “The Golem is a Myth for Our Time” The New York Times 12 August, 1984, 2:1.
[17] Ibid. | Arnold L. Goldsmith, The Golem Remembered, 1909 – 1980 (Detroit: Wayne State University Press, 1981),p.41
[18] op.cit Hoffman paragraph 2.512 | p. 205. Rabbi Geoffrey W. Dennis, (2007), p. 199
[19] http://www.sacred-texts.com/jud/jms/jms12.htm
[20] http://www.jewishencyclopedia.com/articles/13537-shekinah
[21] op.cit N.Y. Folklore.

Technocracy XVIII: Occult Transhumanism (2)

 extant-foetus

“H+”  is the Transhumanism symbol |© infrakshun


There are many writers and historians that claim the human race was the result of genetic engineering by a race of “Gods,” our ultra-terrestrial cousins. This is not merely a modern speculation since it reappears in many creation myths, most notably in the Sumerian Tablets of 1600 B.C., the first Babylonian Dynasty. In our present context, transhumanism and their  technologies aim to re-engineer humankind and are, by their very nature, drawn from occult or alchemical principles as a cyclic set of redemptive patterns. Modern science is a reflection of the original alchemical imperatives, established to assist humanity in achieving a prodigal return after the fall. Yet, there are always two streams to this return: service to self or service to others, left hand path or right hand path, creativity, entropy, yin-yang. Learning to discern and discriminate the choices which lead to an increase in awareness rather than an unconscious decrease is determined by context.  And it seems the present context is dominated by a technological ascension that is entropic in nature.

If the reader recalls, many summaries in this series show the persistent push toward group consciousness, group-think, consolidation/centralisation, SMART societies, ecological fascism and the general hijacking of Truth in order to supplant and engineer a counterfeit reality which nonetheless, achieves the required energy – by the consent of the masses. For ceremonial psychopaths, free-will is still paramount and much tastier meal if the decision is given willingly.

One has to make the choice – even unconsciously – to be follow objective reality as far as is possible or to choose to be deceived.

splice_4Promotional still from “Splice” (2009) Warner Bros; Directed by Vincenzo Natali. “She’s not human … Not entirely.”

Since, by its very nature, genetic engineering is social engineering the advancement of GRIN technologies aligned to this science throws up intense moral and ethical questions moving us back into the realm of Babel, the Fall and Atlantean myth:  When does an animal become a human and how does acting as God to the animal kingdom react to this transformation? More to the point, when a new generation of plant, animal, human-machines are mixed with animal and human DNA, how will that transform our civilisation? How does conscience and consciousness feature? According to Farrell and De Hart these implications are defined by “law and jurisprudence” where genetic chimeras will (and by extension, bio-genetic robots) create huge moral mine-fields on the question of “human” rights relating to levels of self-awareness/sentience. Defined rights will inevitably shape our societies and cultures. But to what end?

Under U.S. patent law, an invention must fulfill four requirements in order to be patentable as intellectual property:

1) It must be original, i.e., it must not have been published or patented previously nor be too similar to a previous invention;

2) It must not be obvious, that is to say, you cannot patent a rock wrapped in a sock and call it a “non-scuff” door stopper;

3) It must have a clear and demonstrable function, which, in the case of chimerical life, as we have seen, could include specific research purposes, such as the study of immune system disorders in chimerical creatures with human immune systems, or human cognitive or mental disorders in creatures with predominantly human neural structures;

4) It must be enabling, in other words, the patent should function like a recipe, with clear enough descriptions of the technologies and techniques to allow anyone to reproduce it.57

Under these criteria, an animal-human chimera, even if, say, 99 percent human and only 1 percent animal (or vice versa), would be a patentable object and intellectual property….

….shades of the ancient Mesopotamian and Meso-American myths of the engineering of mankind as a slave race to the gods. [1]

The contemporary Elites within America (the latter-day Atlantis and New Babylon) are fixated on the idea of transformation. As discussed previously we can see that these Illuminist/Rosicrucian/Baconian roots have required centuries long social engineering efforts culminating in a precise set of phases in the 20th and 21st Centuries. The slow establishment of an Official Culture of mind-body addiction serves as a platform by which social and cultural experimentation can take place. We might say there are five main ideas implanted into the minds of the global population:

  1. The idea that the Earth is overpopulated and extreme measures are needed depopulation by all and any means.
  2. Human influenced global warming to create fear and finance; to camouflage cyclic environmental, cataclysmic and cosmic changes.
  3. Human induced Terror Industry to promote fear and finance.
  4. Genetic engineering to save humanity (cure diseases, disability, farming)
  5. Genetic engineering and bio-technology to “improve” humanity

The 4C’s of commercialisation, consolidation, centralisation and control underpin these three main strategies with: a) banking infrastructure predicated on credit and debt cycles and b) the Structural Adjustment Team organisations to implement debt and the maintenance of poverty and war. The final technological transformation and its religio-occult apocalypse care of monotheistic religions represent the “ascension”; a magical reversal of the Tower of Babel moment and a return to the States of both Babylon and Atlantis. A New World Order will rise out of the ashes and the template for a SMART World State will advance a breakaway society. This enclave of self-proclaimed New World Priesthood will oversee a chipped, genetically modified, modernised slave race – willingly accepted. The energy of the mass mind will serve as a mega-ritual of perceived alchemical ascension by a minority of psychopath masquerading as transhumanist saviours.

Will such a dystopian nightmare come to pass?

Well, the future is still open but the window of opportunity is slight.

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Transgender symbol fusing with Transhumanism symbol? © infrakshun

Accordingly, the transformation of humankind across all domains is currently obsessed with socio-cultural “androgynous fusions” since it is the esoteric masculine androgyny that dominates the global occult Establishment. The engineering of these fusions is operating through genetics and chimeras, biology, agribusiness, entertainment, art, media, military R & D  and of course, transhumanism as the main hub for disseminating the new philosophy and the transformation of consciousness toward the prophesied Singularity.

Or, according to author Joel Garreau:

“… it means that any human being – a microcosm – will be capable of himself or herself becoming a macrocosm, of literally stretching out, via computer interfaces, to control robotic space probes, millions of miles away. The next step is towards true computer-enhanced telepathy and interface, “to rig a distant machine such that it can pipe what it is sensing directly into the brain of its human host. The goal is to seamlessly merge mind and machine, engineering human evolution so as to directly project and amplify the power of our thoughts throughout the universe.” [2]

This explains the Establishment expression of an inverted alchemy and its obsession with sexual subversion, androgyny as expressed through pathological elements of (Nazi) occult bi-sexuality, homosexuality and the now modern PR surrounding transgender studies surfacing in popular culture – often in combination with a transhumanist ethos. This is not to condemn the LBGT ( Lesbian, Bi-Sexual, Gay and Transgender) movement at its core, only to raise questions about its appearance at this juncture and with awareness of what has been discussed. Recall that normal humanity – including normal gay men and lesbian women – are being used to fulfill an agenda that has nothing to do with social or spiritual emancipation. The occult elite are in control of the mechanism though not necessarily the inherent unpredictability. If indeed we are facing a omni-directional engineering of the social body then it is logical that these patterns of sexuality have surfaced throughout history where separation and persecution dominated, or an understanding of sexual orientation was allowed to occur, usually based on higher knowledge concerning its place in the whole and the key distinction between mere difference and obvious pathology.

The spiritual concept of the androgynous man is a symbol of bi-sexuality and asexuality of the Divine Unity – the completed Self. It is a symbol for the integration of all noble aspects not just sexual. However, sexual/creative  energy informs all. Indeed, rudimentary sex organs of both sexes are present in the human foetus – an embryonic androgyny. And as Farrell and De Hart propose, this may be the results of an actual scientific knowledge that man was literally made in the image of the God(s).

Down through history ancient culture across the globe has seen the  masculine associated with differentiation, and the feminine with union. This symbolism was rooted in an elite science that actually knew that biologically it was the male that indeed was responsible for the “primary differentiation” and sexual differentiation, with the feminine or reception as the “default” program  set to “female.”

cybererotica2

The Mainstreaming of cyborg-erotica care of transhumanist “chic.” It is usually a male fantasy fusion, though Bjork’s lesbian android’s (top right) beat Jennifer Lopez’s standard hetero-android for cyber-fetish originality…

“alchemosexuality” was the echo of a scientifically-based ancient culture such as Atlantis which was destroyed as result of their all-consuming hubris, the knowledge was lost along with everything else. But if human males carry BOTH chromosomes and this was applied as a form of “analogical magic” this would be likened to: “…a symbol of the physical medium in which all distinctions are united.” And where such thinking as related to a primordial alchemosexuality: “… even finds expression in the ancient belief that male sperm: ‘was held to contain a particle of prima materia out of which everything was made.’ ” it is in this sense that: “… the phenomenon of androgyny itself is a residue of mankind’s actual primordial state – as is actually claimed by various traditions – and occasionally manifests itself for whatever reason, including the possibility that it is being deliberately, though covertly, sought and engineered.”

Even more importantly:

“…modern genetics falsifies the ancient metaphor in one significant way, in that it is the female rather than the male which is the “default” setting for the program of human embryonic development.

But i[t] also confirms the ancient metaphor in another significant way, in that it is the male that is a “special program” of differentiation, for without the Y chromosome, development would proceed along the lines of the female. We cannot help but recall the fact that in ancient Mesopotamian lore, the “gods” engineered mankind by a chimerical mixture between a proto-human “female” donor and a “god” male donor. [3]

Hence the distortion within the ruling power echelons where a predominance of paedophilia and gay sex magick within military-occult circles comes into play. The idea of the default setting of man is taken as an exclusive Will to Power, the masculine as the “Keys to Creation” rather than the integration and synthesis of both sexual energies. The Fall and subsequent re-engineering of humanity was accomplished when the genetic symbiosis of X, Y chromosome interrelation ceased to indicate androgyny but degenerated into mere sexual divisions.

If the unification of the sexes was indeed a reality in some dim and and very distant past, and the human race was divided into males and females, as also much later suggested by Plato and possibly Aristotle, it reinforces the sheer alchemical ambition foisted on humanity – viewed as Frankenstein by the Elite, a monster to be transmuted – is extraordinary to behold. It seems they have not – perhaps cannot – learn from the past. If individual consciousness is being sacrificed for group consensus and group consciousness based on androgynous fusions which are all rooted in an archaic re-enactment of an ancient Fall and the assumed ascent, most of humanity will flow into that “Great Work” voluntarily.

The only problem is, it is the usual hi-jacking of Truth; it is a trap which will provide a choice for the observer to apply the knowledge to truly SEE or to believe the lie, the latter signifying a return not to primordial androgyny but to primal matter.

Lucy (2014)

Scarlett Johansson starring as “Lucy” in the 2014 film of the same name. Directed by Luc Besson this is perhaps one of the most transhumanist films ever made offering a decidedly “Luciferian version of Creation”. For a fine exploration of these underlying themes within the film take a look at: “Lucy”: A Movie About Luciferian Philosophy” from the Vigilant Citizen website.

We see a strange reflection of this genetic dissection and manipulation across all domains of society. It is a forced fusion of opposites and coerced interplay of group-think and herd mentality being corralled towards a technocratic fusion of consciousness. Anomalies abound with transsexuals cast a drift in a sea of artificiality where once such individuals had a place in society as spiritual channels. Those that were half-man/half woman were revered in many ancient and indigenous cultures as they were seen as shamans given the task of attuning with higher realities in order to maintain the integrity of the community, by a communion with “Spirit.” The last thing they were subjected to was isolation and hatred. Yet, in this culture of extreme differentiation and sexual psychopathy is makes perfect sense that sexual minorities are also hijacked and co-opted for elite uses, subverting minority roles so that narcissistic tribal groupings and endless labels for “rights” and further differentiations dominate. Similarly, agriculture and animals become commodified just as the ecology of the mind and its external environment succumb not to the freedom of technology, but its further constriction.

The promise of technology to heal all physical ills is very real and to be welcomed. Meanwhile, the pay off from that healing is not being addressed and can be seen in current expressions within pop culture. While the undoubted interrelatedness and interdependence of the global populations is emerging as a very real global brain, the ponerological aspects of this manifestation is clear. Art, music and the Hollywood, gloss of cyber erotica, the Nazi roots of Sado-Masochism, bondage and porn is being mainstreamed. It is quite literally, coming online as the merging of man and machine is sold as sexy.


gigerartworks1© H.R. Gieger

Instantly recognisable as the concept and production design style used for the Alien films, Swiss artist Hans Ruedi Giger and his iconic, industrial, “bio-mechanical” art, best personifies the inverted gnosticism as occult transhumanism. It is a disturbing picture of cyborg-alien “eroticism”, exemplifying Satanic Egyptian-Babylonian ritual fantasy. Unsurprisingly, S & M fetishists find Gieger’s art popular. It is also no coincidence that in the final “Prometheus” film directed by Ridley Scott, the “Orion Gods” are introduced as the decidedly unfriendly geneticists who not only seeded humanity out of their very bodies, but were also responsible for unleashing the demonic Alien, originally inspired by Giger’s single artwork: Necronom IV. Once commenting that he initially used his works as art therapy, I can only say rather than exorcising whatever was there, it looks like he became its channel…


According to physics the Universe may be “hardwired” to produce observers so that in one sense, the Universe can know itself through the medium of a complex organism like humanity. This has been called the “Anthropic Cosmological Principle,” which includes four sub-principles. It is the fourth sub-principle – the Final Anthropic Principle – which concerns transhumanism and which exactly describes the abiding rationale behind such beliefs in that the processing of information must be brought forth in the Universe, and once it comes into existence, it cannot die out. This may be true, but it is a huge leap to assume that observers and participants all adhere to the essential qualitative energy of Universal Creativity. There is supreme intelligence of the machine and there is the omnipotent Gods of pre-history – neither of which designate ultimate benevolence.

Spirit is neutral but flows through the polarities of negative and positive. It is this underlying binary cycle of Light and Dark consciousness expressed through group endeavour that holds the most danger: a) through the networking of knowledge without prejudice and with a co-linear intent that it is group conscious; or b) through the development of belief, ideology and subjective evaluations designed to create group consciousness as a template for the future. The latter accentuates contraction, conformity and authority with the artifice of the opposite – the effort expressed that is equal, unchanging and constantly running on empty. It is the uniformity and crystallised “consensus” that drives hierarchical group consciousness, where the restriction of a singular authority impedes creativity and leads to entropy.

The former – a network of service to others – actually serves the self, as it strives to disburse accumulated energy in favour of both individuality and the community; creativity is expressed as part of an holistic organism, where each “cell” is a fractal representation of the whole – a contribution of unique effort which is shared and transformed. It is this uniqueness of individual experience that drives and enriches the network.

Transhumanism, if not presently located in an entropic spiral is rapidly heading that way. Since we might presume that individuals and humanity en mass, represent a vast storehouse of DNA transmission and receivership capability, the inherent quality must define these attributes; it must depend upon our conscious choices to expand awareness and therefore resist lies and deception in favour of group conscious creativity. Perhaps we then become transducers of qualitative energies that demand a transmutation of our inner ecology, thus leading to the potential to change our outer environment.

No intermediate machinery is needed, silicon, quantum or otherwise.

 


Notes

[1] p.96; Transhumanism: A Grimoire of Alchemical Agendas  By Joseph P. Farrell and Scott De Hart. Published by Feral House 2011/2012.
[2] Ibid; p.127; quoting Joel Garreau from Radical Evolution (2006).
[3] Ibid; p.252.

Technocracy XVII: Occult Transhumanism (1)

By M.K. Styllinski

 “…modern science appears to be ascending back up the ladder of the descent of man as understood by the esoteric tradition and by the ancient mythologies of the Tower of Babel Moment and Fall of Man, and to be doing so in the exact order and reversal of that descent, suggesting once again that the goals of modern science have remained, at root, alchemically inspired…”

— Joseph P. Farrel and Scott De Hart, from: “Transhumanism: A Grimoire of Alchemical Agendas”

***

Prometheus: Yes, I caused mortals to cease foreseeing their doom.
Chorus: Of what sort was the cure that you found for this affliction?
Prometheus: I caused blind hopes to dwell within their breasts.
Chorus: A great benefit was this you gave to mortals.
Prometheus: In addition, I gave them fire.
Chorus: What! Do creatures of a day now have flame-eyed fire?
Prometheus: Yes, and from it they shall learn many arts.
   

— Aeschylus, Prometheus UnBound, P.B. Shelley


631px-transhumanism_barnstar_thumb© infrakshun

Early on in this series we explored the various groupings of the Three Establishment Model (3EM) drawn from an overarching global occult body. Many people can’t get their heads around the fact that occultism is bread and butter to the Elite. Official Culture consists of a public pantomime served up in the form of politicians, media circuses and the endless distractions away from the Great Oz Magician lurking behind that cultural curtain. Our Western societies in particular are largely a product of long-term social engineering predicated on occult directives.

The Rockefeller dynasty has shown itself to be one of the most influential in this Establishment Order since the early part of the 20th Century. From social science to corporatism, oil to agribusiness, genetics and eugenics, banking to academia, their continual role in re-shaping America and its people has never waned. Indeed, it has taken on new significance with the rise of technology and transhumanist discourse. Behind their trusts, NGOs, institutions, think tanks and massive philanthropic expenditure lies a common and urgent imperative seldom recognised by those employed in their vast monopolies, should they even care. That imperative is an occult legacy drawn from an ancient wish to micro-manage the lives of the “lower orders” of the global population. This is not solely a misguided authoritarianism but a deeply rooted existential belief, an occult theology of gnostic inversion that sees alchemy as the route to the transcendence of man and humanity. This form of alchemy is in fact, a path away from the principles of Knowledge, love, light and Truth toward what is effectively an existential form of Satanism with its historical roots in Illuminism and their Rosicrucian handlers.

Prometheus-Wallpaper-4-prometheus-2012-film-33010439-2048-1536

The deeply occult-inspired “Prometheus” (2012) produced by Twentieth Century Fox and Directed by Ridley Scott. The quest for immortality, alien Gods, Artificial Intelligence, robots and merging of man and machine all feature. (the tagline to the film reads: “The search for our beginning could lead to our end.”

Perhaps the mythological Titan Prometheus is well suited to embody the aims of our planetary elite since he is meant to be the benefactor who brought fire of physical consciousness to humanity. Serving the wishes of the Olympian Gods with Zeus at the helm, Prometheus was therefore a warrior against Chronus and other Titans which, according to some interpretations is ultimately a sacrificial enterprise. This demi-god proves his worth but suffers eternal punishment and banishment due to his theft of fire, intent as he was to ignite humanity and bring forth a friction with matter: the potential of humanity’s road to collective awareness through earthly descent. Thanks to this Titan, the mortal gods of human beings were shaped in the likeness of their ruling Masters and certain qualities of the animal kingdom. So began the human kingdom. The Hellenistic Prometheus is in fact Lucifer the “Bringer of Light” the cosmic trickster and fallen angel that takes MATTER literally into his own hands and fashions the seeds of divinity into mortal beings. We must then find our way back to “immortality” by transcending both Prometheus/Lucifer and the Gods.

Then we have the other Titan in the guise of Atlas who held up the celestial sphere and embodied the primordial nature of Gaia, the Earth Goddess. There is also a link to Atlantis being: “Island of Atlas” i.e. the Atlantic Ocean. This will become pertinent as we continue. Incidentally, both these statues are right outside the Rockefeller Centre in downtown New York.

800px-Rockefeller_Center_MAM

A gilded Prometheus, Rockefeller Centre, New York (wikpedia)

new-york-city-rockefeller-center-05-atlas-statue-and-st-patricks-cathedral1

The primordial Atlas, the Titan holding up the heavens. Location outside St. Patrick’s Cathedral, Nr, Rockfeller Center, New York.

So, what does all this have to do with transhumanism?

To answer that we have to turn our attention to authors Jospeh P. Farrell and Scott de Hart whose book Transhumanism: A Grimoire of Alchemical Agendas sheds some light on what may be going on with the Establishment crowd and their occult agendas.

Drawing on a wealth of Western and Eastern estoterica the authors develop the idea that androgyny and “alchemosexual” themes run through masonic fraternities and Hermetic orders from ancient civilisation right up to the present day. Alchemy is the art and science of the soul, where self-development is symbolised by the transmutation of lead into gold. A Hermetic thread of ‘man as microcosmos’ ” (man as symbolic of the cosmos in man) and ‘universe as makanthropos’ (an Indo-Germanic creation myth of a giant Being that makes up the Universe), are in turn sourced from a continuous tradition or esoteric doctrine that they name the “Topological Metaphor” which they believe underlies most, if not all of the occult imperatives presently obsessing the global occult body. Such a metaphor describes a potential unity expressing itself in three ways:

a) As a sexual, or androgynous unity;

b) As a linguistic unity; and finally, and perhaps most importantly,

c) As a cultural-philosophical unity.

In this instance, the “Topological Metaphor” also reveals the fact that this ancient philosophy was exactly what the Medieval and Renaissance Hermeticists claimed it was, the prisca theologia, the “ancient theology.”   [1]

In the authors’ opinion this: ”unity in all its facets constituted some sort of threat to the gods or God, and had to be broken. Notably, when one looks at all the ancient records, the unity was indeed broken at each of the three levels noted above.”

This brings us back to what was described in the previous post regarding the collapse of ancient civilisations and the idea that the development of consciousness within humanity was a direct threat to the “Gods” presiding over their quarry. This was to be repeated through history, in particular during the ancient Empire of Atlantis and the subsequent Great Flood that followed. This is the also the point where earth changes and cosmological influences may intersect. [2]

prometheus_1600x1200_97533

Still from “Prometheus” (2012)

The Tower of Babel myth from the book of Genesis is also seen as an important aspect of the Fall, illustrating how man’s common language was fragmented into a “confusion of tongues” as a consequence of limiting humanity’s influence in relation to the Gods.

6 “And the Lord said, “Indeed the people are one and they all have one language, and this is what they begin to do; now nothing that they propose to do will be withheld from them.

7 Come, let Us go down and there confuse their language, that they may not understand one another’s speech.”

8 So the Lord scattered them abroad from there over the face of all the earth, and they ceased building the city.”

The Biblical Fall of Man saw the division of the sexes into male and female and the scattering of one language instead of one, later reaffirmed by Plato. The following “Tower of Babel Moment” derives an alchemical quest to retrieve knowledge and meaning and true Being so dispersed, and to ascend back up the ladder to individual and collective union once again. Yet there are other details which the authors found to re-occur, with three essential themes:

1) The unity of mankind is conceived to be in masculine-androgynous terms, i.e., as an original male-female sexual unity, and this unity is tied, somehow, to the “perfect” knowledge that mankind has, a point which is stressed over and over again in the passage;

2) This unity and knowledge in turn constitute some sort of threat to the gods;

3) The gods take the decision to curb mankind’s original unity in the now familiar pattern, by fragmenting mankind, only in this case, the fragmentation is, predictably, the division of the original androgyny into the sexes. Once this is accomplished, mankind loses his knowledge. The implication is that mankind’s original androgyny might have been tied either to immortality or longevity, and the division of the sexes results in the loss of that longevity or immortality, and consequently, in a loss of knowledge. [3]

The concept behind the Tower of Babel and the Fall that mankind is:

“…an original primordial androgyny”, whose experience of sensuality actually causes the fall, the loss of knowledge, and the division into the sexes. In some versions of this Fall “from androgyny” into “sexual division,” it is Brahma who destroys the knowledge that androgyny brings (and here let us understand that androgyny is not only a symbol of the fusion of sexes but of other polarities: motion and rest, being and becoming, and so on), and who replaces the implied idea of communion in consciousness and love with the idea of sacrifice.

Pieter_Bruegel_the_Elder_-_The_Tower_of_Babel_Vienna_-_Google_Art_Project_-_edited_thumb.jpg

The Tower of Babel unfinished by Pieter Bruegel the Elder (1563)

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The “unfinished” European Parliament building in Strasbourg

It was this alchemical sacrifice of the lower personality and the accumulation of energy for service to others that was inverted to manifest as a literal physical human sacrifice to appease the Gods. Original sacrifice was – according to the authors – of deeper significance in that it symbolised cosmically as primary differentiation of matter into form and diversity. God’s sacrifice to know itself further – through us. This sacrificial alchemy can be seen in the neophyte’s descent into the Underworld as well as the archetypal boiling of bones and flesh of the initiate in Siberian shamanism.
Consequently:

“As the original act of differentiation within the metaphor was perceived as an act of Love – for where there is no differentiation there cannot be any Love – then in the absence of love, the metaphor came to be understood literally, and the actual practice of sacrifice became perceived as the means whereby to analogically reproduce the processes of the medium and its differentiations itself, and thereby to affect or to “traumatize and shock” the physical medium. only be rationalized by positing the existence of those of evil intention, who viewed the practice simply as a means of acquiring power through this practice of “analogical magic.”

We are, in short, once again in the presence of the agenda of communion and union through actual acts of love, versus that of “communion” and “union” through a technique of sacrifice, whose true purposes and motivations are altogether different. The goal or agenda remains the same – the alchemical recreation of a higher alchemosexual union between “opposites”- but the methods of getting there are entirely different.”  [4]

It is this quest for a cultural-philosophical unity (and where transhumanism lies) that has been vicariously protected by occult custodians as a means to assist humanity in their collective ascension to higher states of consciousness. In a  metaphysical context, the nature of this material plane and the Dark Half of God as represented by evil/psychopathy spins counter to that goal, with lies and obfuscation offering obstacles to spiritual growth.

Intriguingly enough, the distortion and corruption of science and also its great achievements all have hermetic, alchemical origins. Some of the giants of modern science were in fact alchemists steeped in esoteric lore. Isaac Newton, Johann Kepler, Copernicus and Leibniz were just some of those for whom the scientific establishment is thoroughly indebted while   covering up their deep rooted alchemical role. Means and methods have changed but the drive towards the betterment and improvement of humankind remains an alchemical one, even if symbolic.

220px-GodfreyKneller-IsaacNewton-1689In one way or another, these scientists were inspired by or to actively search for the philosophers’ stone (lapis philosophorum ) the core motif in alchemical lore. Also known as the Holy Grail, it was a symbolic idea rather than actual object, the applied science of which was thought to turn base metals into gold. The attainment of these alchemical transmutations was believed to lead to immortality (another indication that transhumanism is shadow-reflection of the same).Efforts to discover the philosophers’ stone were known as the Magnum Opus (“Great Work”). Though it is believed that such transmutation of base metals into gold is also symbolic, there are also accounts – even today  that such a thing is physically possible.

newton_manuscript416_thumb.jpgAlchemical notes from Isaac Newton’s journals

Astonishingly, the authors provide snippets of evidence that even some hermetic/alchemical treatise and commentary include strange references to what could be a form of genetic engineering, where alchemy claimed to produce artificial life and thus introduce the concept of an apocalyptic transformation of man. It seems for transhumanism, rather than an inner transmutation, it is a metamorphosis of man and the cosmos that is sought based on the integration and synthesis of a computer-based, synthetic biology – a veritable Borg consciousness of artificiality. By default, transhumanists believe that this synthesis must interface with the core nature of the human being since man and machine will be one – and so too the Universe.  Modern physics may also be viewed: “… as but Hermetic metaphysics with “topological” equations, and by a similar process of examination, much of modern genetics may be viewed as but the myths of Sumer, Babylon, and even the Mayans, given flesh by the techniques of genetic engineering.” [5]Farrel and De Hart also explore the compelling evidence of Medieval Renaissance writers and 19th literary artists (Freemason Oscar Wilde, Illuminst P. B. Shelley for example) who subtly and not so subtly express the same alchemical agenda within their writings.

This inverted alchemy adopted and hijacked by a minority of Pathocrats have extended, phase by phase the alchemical transhumanist imperative across all societal domains, from food, agriculture, urban planning to art and sexual mores. Most importantly, monotheistic religions have influenced humanity in a large-scale induction of a counter-alchemy, a manifold schizophrenia based on authoritarianism and fear. This has amounted to a global social engineering project, or as the authors express it, the transmutation of this latent search for Unity: ”… into regions of ‘believer and infidel’ within human social and cultural space.” [6]

BORG

Gene Rodenberry’s Star Trek featured The Borg. A race of cyborgs whose job it was to race around the Cosmos assimilating all into a Hive mind – part man, part machine. The image shows the Borg spacecraft-Death Star represented as a cuboid form.

Inside this metaphor of Unity lies hidden an alchemical ascendance of the primordial androgyny, the transmuted man, where an integration of male and female energy of the higher centres is completed at the highest rung of the spiritual ladder of ascent. This mirrored the essential nature of the Divine which was naturally risen beyond the very notion of sexual duality to what the authors term “alchemosexuality”. This word was coined by the authors to denote an: “… entire constellation of concepts, and their deep connections to esoteric and alchemical traditions, societies, rituals, and agendas.” [7] Surrounding this idea is a hidden agenda connected to the acquiring knowledge, power and technology in order to facilitate a transformation of man according to certain alchemosexual principles. Not only this, but a definite, thematic symbolism which involved an evolutionary ladder of alchemo-chimeral man, alchemo-vegetable man and alchemosexual man. This esoteric symbolism can be explained accordingly:

“As the process of differentiations unfold, man descends through four realms, the heavenly, the mineral, the vegetable, and finally enters its current state of existence, the animal. There is, in other words, a “mineral man,” a “vegetable man,” and an “animal man.” In all these prior states, except the last, mankind is perceived as an “androgyny,” to such an extent that his reproduction in the vegetable stage, for example, is conceived to be plant-like.” [8]

They follow this by asking: “…why should all three of these things be so persistently, consistently, and alchemically linked, from the Vedas of India, the I Ching of China, to the neters of Egypt and even to the Popol Vuh of the Maya in Meso-America and the emanations of the Hermetica, of Plato, and of the Neoplatonists?” [9]

Hence we come back to pre-historical civilisations such as Atlantis, and their widespread agenda manifesting across the globe via the global Establishment. In this vain, notwithstanding alchemosexuality as a metaphysical first principle, there appears to be a persistent androgynous symbolism within the Western esoteric tradition which has been preserved by certain secret societies;  an archetypal battle between creativity and entropy, normal humanity and a pathocratic minority, ritual mega-sacrifice or collective redemption and ascension:

“…modern man is in a predicament, for he is about to be sacrificed, either upon an apocalyptic altar of alchemical science, or, … slaughtered by a righteous God come back to restore justice to the world by an unparalleled bloodletting, prior to mankind’s final transformation … into the very same sorts of alchemical creations as proffered by the transhumanist science they excoriate. Either way, the transhumanist gospels of Science or the revelations, prophets, … are saying the same thing: the New Age is here; prepare to die as part of your process of alchemical transformation.”  [10]

Excluding the offshoots of monotheism, the authors further wondered why it was that the basic ancient myths:

“… were based on the idea of mankind’s descent from a Primordial Androgyny, through the Mineral, through the Vegetable, and finally into the Animal Kingdoms? How could the ancient myths even speak of a “Mineral Man” or “Vegetable Man?” These images are disconcerting, even nonsensical, but the most disconcerting thing about them, as we discovered, was that they also reappeared in the snapshots of modern science that every so often make a column filler-article in a newspaper, or make their way around internet sites.

Why was it, we wondered, that ancient esoteric lore could speak of the lowest level of mankind’s descent, that of the Animal Kingdom, populating its mythological world with chimerical hybrid creatures, half animal, and half human, and modern science could speak of the same things – even calling them “manimals” – as a goal to be sought? […]

… Was it possible that the whole agenda of modern science was from top to bottom an alchemical agenda for the complete transformation of mankind? Was this genetically modified food for the alchemically modified man?

Ascending from there to the Mineral Man, again we wondered: why were so many within the “transhumanist” movement seeming to speak, through all their modern verbal coinage, nothing but the language of ancient lore and alchemy? Once again, there seemed to be an agenda that was nothing less than a quest for an “androgynous fusion” of man and machine, of man and the mineral.

This brought us to a consideration of the most disconcerting image of them all: androgyny itself, which more often than not stood for a fusion of many sorts of paired principles that seemed at first unrelated to the concept of androgyny in its most basic sense. It stood, in other words, precisely for that fusion of the human and the animal, of the human and the vegetable, of the human and the mineral, as it stood also for the fusion or union of the masculine and the feminine, of the male and the female.” [11]

The massive barrier erected between a true connection and a spiritual prodigal return to the Edenic State were the religions of Judaism, Christianity and Islam which rejected everything that went before it as “paganism” and therefore the work of evil. It was an incredible achievement of ponerological control which stamped out the archaic nature of humanity’s natural alchemical design. In its place was a collective lesion producing increased pathology in society and culture, with only remnants of a forgotten esoteric knowledge sometimes surfacing in pantheistic cults and genuinely revolutionary sects such as Catharism. Overall, freemasonry as custodian was to be hijacked by “service to self” or Satanic branches of an occult theology.

sauron

The Eye of Sauron From the Lord of the Rings Trilogy. Is this the archetype harking back to the bloody days of Yahweh and Monotheistic Religion?

The Israelite God Yahweh is the personification of all that is psychopathic in the world of monotheistic religion, founded on violence and the progenitor of its continual manifestation. The purpose of these types of organised religions was to cement the inversion of the original “Topological Metaphor” and the reality of an essential Unity. It was a social perversion of a rich Truth and a “ Technique of Social Engineering and Construction Via Conflict”; a gradual implantation of division, narcissism, nihilism and spiritual disempowerment. If there was indeed an alchemical route to transformation for all humanity then it stands to reason there was it’s opposite: a mass mind programing designed to use humanity as energic food for a select few so that their neo-feudalism could reign once more.

Our present Official Culture is concerned with a sacrifice of meaning and Truth on the altar of many false beliefs including a transhumanist ethos, which has an inverted alchemical agenda at its shrivelled heart. Order through Chaos, a transformational and apocalyptic trial by fire is to be engineered through the world religions so that such a New Technocratic Age can arrive from the ashes. The Three Establishment Model requires these social intermediaries in order to create the correct conditions for the ultimate collective transformation. Which means total domination of normal humanity as a prelude to complete domination of the planet. And ultimately this encompasses the very Universe as espoused by a pre-apocalyptic battle between artifice and organic life: the Singularity and the techno-spiritual seeding of the Post-Human to all corners of the cosmos.

You may not believe it but they do and that’s what matters.

If the Tower of Babel Moment represents a  metaphor of the Fall of Man, including the  descent  from the “primordial androgyny of man, an image and symbol of the ‘androgyny’ of the physical medium, or of God, itself, through the mineral, vegetable, and finally, animal man,” then transhumanist arm of geneticists are carrying on the legacy of the philosophia Perennis – the “ microcosm of the universe” by dominating all the senses. This naturally includes sexuality and thereby consciousness as a precursor to the up and coming Singularity.

This appears to be an important aspect of the underlying occult agenda within the transhumanist movement as a whole, regardless of whether even most of its adherents are aware of it.

After all, to see humanity as a collective “Homunculus” – a Frankenstein – to be artificially created to its potential and to reverse this “descent” toward an apocalyptic denouement is one thing. However, under the tutelage of Elite deviance, this macrocosmic mega-ritual is a quest for immortality that is a grotesque short-cut for selfish ends. The final transformation of mankind is a means to an end and as we know, their belief is that the end justifies the means – any means – since omnipotent rule is a Divine right and a bloodline of “Royal” descent. Transforming mankind through the fires of hell may well be a genuine tool of freemasonic belief. Yet, existential Satanism has long since co-opted even that dubious lineage of assumed social engineering.

Now, such a transhumanist feat is in the hands of Prometheus as Lucifer: the “Bringer of Light.” By introducing, advancing and applying the perceived alchemical methods of technological transmutation: “… the way to do this is to create the fusions by “art,” i.e., by a technique and technology, to fill the space of creation with man, quite literally by “splicing” or merging him with the animal, vegetable, and mineral kingdoms.” [12]

Once again, by re-visiting the past explorations of the 3EM and understanding the central place the Rockefeller family has in its organisation, it will become evident that their agenda is indeed a total Promethean transformation not only of the United States but the world.

See also: World State Policies IX: Food as a Weapon and GM Crops Unleashed  and The Sex Establishment IV: The Kinsey Legacy

 


Notes

[1] p.72; Transhumanism: A Grimoire of Alchemical Agendas By Joseph P. Farrell and Scott De Hart. Published by Feral House 2011/2012.
[2] Ibid; p.72.
[3] Ibid; p.18.
[4] Ibid; p.18.
[5] Ibid; p.6; Introduction ref: Grids of the Gods By Joseph P. Farrell and Scott De Hart.
[6] Ibid; p.60.
[7] Ibid; p.4.
[8] Ibid; p.55.
[9] Ibid; p.11; Introduction.
[10] Ibid; p.5; Introduction.
[11] Ibid; p.8 Introduction.
[12] Ibid; p.92.

The Politics of Entrapment V: Terror-Porn Fusion

“… rates of child sexual abuse have declined substantially since the mid-1990s, a time period that corresponds to the spread of CP online. . . . The fact that this trend is revealed in multiple sources tends to undermine arguments that it is because of reduced reporting or changes in investigatory or statistical procedures. . . . [T]o date, there has not been a spike in the rate of child sexual abuse that corresponds with the apparent expansion of online CP.”

Janis Wolak, David Finkelhor and Kimberly Mitchell (2011). “Child Pornography Possessors: Trends in Offender and Case Characteristics”. Sexual Abuse: A Journal of Research and Treatment 23 (22). doi:10.1177/1079063210372143.


In the UK, new rules exist that oblige doctors and social workers to give the police any information they have about teenagers’ sex lives. The London Child Protection Committee (LCPC) protocol allows child welfare staff an unjustifiable level of interference in the sex lives of teenagers, which could risk breaching the European Convention on Human Rights (ECHR) and the right to privacy enshrined in article eight of the convention. Senior lawyer Stephen Groz commented on the new protocol believing that: “It is particularly hard to see what justification there can be for routine assessment – if that is what is intended – in the case of those in the 16-18 year age group, where the prevention of crime will normally afford no justification at all.” [1] Mandatory sentencing where no clear definition of the crime is known is already steaming ahead. According to one expert, 12 and 13 year-old defendants “are being convicted of relatively minor sexual indiscretions in the crown court, and, if the law operates as it is supposed to, being sentenced to custody when it should be a supervision order.” [2]

With over 2,225 child offenders serving life without parole (LWOP) sentences in U.S prisons for crimes committed before they were age 18, [3] it seems Europe is being set to emulate the this direction. It is no surprise that America’s emerging “soft” fascism cloaked under the pretence of liberty is being welcomed by some governments of Europe.

Labour MP David Blunkett (who resigned in 2006 after yet another financial scandal) would likely have called such concerns “airy-fairy” and those seeking a fair and just system as the “enemy.” Blunkett proceeded to remove the presumption of innocence from the Sexual Offences act of 2003, giving a clear and straight road for court cases to be prosecuted successfully without any evidence. This laid greater emphasis on the prosecution state where, as in the US, you are presumed guilty before being proven innocent. This US version of the law paved the way for their fabrications in Operation Ore where an allegation alone was all it took to convict. That is not to say that all of the reforms have been dangerous. On the contrary, many are to be welcomed, yet those that are suspect are so grave that they tend to create difficulties that eclipse glimmers of progress.

Another stalwart defender of Blair’s Britain was Charles Clarke MP the UK government’s Interior minister who was at pains to tell the European Union that in his view: “The judges both in my country and in the European Court need to understand that the people of Europe … will not for a long time accept that action cannot be taken against people who are offering a real threat to our way of life because of human rights considerations …” [4] This kind of paramoralism is reminiscent of the same use of the Neo-Con theme of “they hate us for our freedoms” so often repeated as a blanket rebuttal for genuine concerns for civil liberties. Nonetheless, the die was cast.

The National Criminal Intelligence Service said in its annual report in 2003 that “more than half of the child porn sites are hosted in the United States” and that “the number of sites coming from Russia has doubled in the past year.” Evangelistic crusades are being encouraged and often waged whipping up a great deal of emotion with little factual data. Child pornography figures in some quarters have been massively overblown or in some cases plucked out of thin air. According to reports from within the US last year a 300 percent rise in internet paedophilia may indicate both a new phenomenon whereby a new technology is utilised but which also reinforces the mythology and lies designed to keep such dynamics firmly in place. If a new crisis is needed then child porn can be used as a “double-bind.” As one journalist recently remarked: “What an irony if the only readily available child porn on the Internet is being maintained by the police and the self-appointed monitors!” [5]

On the evening of January 17 2005, the UK’s Sky News reported on the false evidence used by the UK police in Operation Ore and the overwhelming incidences of corruption.  It remains to be seen if any action will be taken against the police perceived as protector and confidante, is about as far away from reality as it is possible to be. Some men and women in law enforcement know this very well, yet few speak out.

It is likely that much of the child pornography within societies today are produced and distributed underground through an informal but loose-knit networks of paedophiles operating in most European countries with sporadic burgeoning of paedophilia rings arising out of, or adjacent to sexual abuse within neighbourhoods and families. However, with the rise in child trafficking and clear indications of institutionalised child rape networks, child pornography as a multi-billion dollar industry may be, purposely exaggerated. Yet, as a strand in the overall industry of exploitation where billions are indeed accrued, it remains a connected reality, the dividends logically set to increase.

Michael Heimbach, head of the FBI’s Crimes Against Children Unit believes sexual deviants: “… have a real innate need to communicate with others … and sharing experiences. It’s a psychological support base; it makes them say, ‘I’m not so weird’. There are a lot of other people out there that like the same thing I do’’” The current case Heimbach was describing involved “An underground ring of adults who created and trafficked in pornographic videos of naked children being beaten with paddles, hairbrushes and canes.” The “loose-knit” group called the “Spanking Club” were said to have brutally beaten children as young as 4 years old. The club was seen as being influenced and encouraged by the availability of porn and internet chat-rooms where an exchange of fantasies and photos took place.[6]

The more disturbing links to pornography, trafficking and child abuse lead to the front door of the Establishment and naturally remain secured with cast iron protection. We see the guilty and often the innocent placed in prison and taking their own lives while high level paedophiles and child rapists remain above the law. It is also likely that most of the hardcore child porn that does exist is so far underground that it is alongside the impassable domain of the snuff movie where information is almost impossible to come by. For example, the discovery of crimes that may have been continuing undetected for decades are now frequently being seen via the relative “safety” of a closed system known as Internet Relay Chat – IRC – which requires participants to log in using passwords. And many of the paedophiles in question are no amateurs. They can be extremely competent with encryption usage and various other technical ways to avoid entrapment.

The vast majority of stings are carried out by the enormous stores of innocent child nudity and “artistic” erotica that under the laws of the US and increasingly Europe are deemed obscene. As we have seen, this material may also serve as a means to entrap people for private extortion. And what of the recent ruling from the US that effectively all porn is child porn? [7]

We then have the the Child Protection and Obscenity Enforcement Act also known as “2257” which now requires adult porn or erotica companies to keep detailed records proving that all the models they use are over the age of 18. These records contain the real names of performers and their addresses which have to be published somewhere online. It does not take a huge leap of logic to realize that this could leave some persons – such as women operating webcam shows from their homes – open to stalking and harassment. Moreover, all sites coming under the new law are required to have their address clearly accessible to all in order to indicate their “place of business.”  To avoid fines and jail terms persons must keep “proper records” and under the new version of 2257, all files that contain every single pornographic or erotic image and film published, must be cross-indexed with age-verification papers for every single performer that features in the stills or movies. This is a huge undertaking meaning massive overhauls for businesses hard drives, the records of which must be kept for seven years. The porn business is up in arms over the law claiming that it curtails significant freedoms. As the same report states: “…they have vast numbers of addresses to punch into their super computer for listing undesirables…. the Patriot Act [8] was used to prosecute people for offences that were not terrorist offences shortly after it became law.” [9]

We can easily forget how insidious these new acts and waiting executive laws really are and how they primed and ready to dispense with all constitutional rights. Clamping down on the business of porn is a red herring. As former director of UK civil rights organization and now a much needed voice as Deputy Chair of the new Independent Police Complaints Commission, John Wadham mentioned recently: “I recall an occasion attempting to argue that even alleged sex offenders have human rights, when confronted by the devastated mother of a child murdered by a sex offender.” [10]  Not an easy prospect, which is why child porn and public pornography in general could be one of the many channels by which we might endure a gradual but comprehensive lock-down on internet freedoms.

The genuine Russian-led examples of burgeoning child trafficking networks are a reality, as are some of the isolated European instances of exploitation. Typical examples include the arrest of five suspects in the Spanish cities of Madrid, Murcia, Lerida and Valencia in 2005. One man was charged with abducting, raping and abusing babies as young as 11 months while the others were charged with filming and distributing images of the abuse on the Internet.[11] Or the British man and father jailed for raping a baby with a sentence that was ridiculously lenient. [12] Both cases were proven instances that child molestation is a growing reality in our societies. This is the nature of the perfect double bind. There are further “politically correct” rulings that funnel more chaos into an already charged domain.

Take the 2004 ruling in the Italian high court that paedophiles can take pornographic photos of children as long as they are not sold for profit. Which means one can share and perpetrate acts of child porn as long as you do not charge for viewing the material, otherwise, it is legal. The report continues: “…that the Court of Cassation in Rome upheld the acquittal by a court in Turin of Antonio B., 45, over photographs that he took when he forced a youth of 13 to carry out sexual acts.”[13]

There are small clues in the above that included “forced” “sexual acts” and “profit.” One wonders what thoughts processes are running through those whose directives one would hope, are first and foremost to protect the interests of children. Similarly, Canada’s BC provincial court also came to the conclusion that possession of child porn represented a clear self-imposed boundary that would not be transgressed by those who chose to view such pornography. A court in Oregon believed a law that prohibited adults from giving minors sexually explicit materials violated the Oregon Constitution’s free speech protections.

There is, as we shall see, a huge difference between an individual who has exploited and even murdered a child for his own gratification and an individual who has been surfing for adult porn. This is the background to much of the prosecutions focused around child pornography. In such an emotive arena all manner of forces are vying for control and have little to do with liberty, least of all for the rights of the child. In effect, child pornography – while certainly encompassing very real predatory beings intent on using the internet to search for prey – is now a term that is used by law enforcement agencies to cover a multitude of sins extending to arts and basic pornography – regardless of its morality.

Let us keep in mind that in 2004 and 2005, three young children were killed by sex offenders. Congress immediately reacted and passed the most unconstitutional child abuse laws in the history of the USA. Yet, while the figures for the prevalence of sexual abuse remains contentious and unresolved, you can bet that the horrendous figures for physical abuse, drug abuse, gang related crime and drunk-driving deaths of children on the roads barely gets a mention. This is not sensational enough; this doesn’t get the voyeuristic and self-righteous juices flowing. Meanwhile, the financial, business and political “Elite” can play the “knight in shining armour” while indulging in the very practices they apparently eschew.

Inflating or even taking advantage of a rise in child pornography online could lead to a comprehensive ban on extreme examples of porn and finally pornography itself. For the masses that is. The tool of child porn will serve as a prelude to more extreme forms of “crimes against the state.” We may look for a gradual fusion between dissidents, Al-Qaeda and the “War on Terror” so that internet surveillance can be comprehensively tightened. The dawn raids of Landslide/Ore and other trawling and entrapment operations that ruined so many lives may well be the first stage in quelling any kind of dissidence of the near future. Criticism of the US government and Homeland Security is perceived as Bush’s line: “if you’re not with us you’re with the terrorists.”  In many American minds the sex offender and terrorist is more or less one and the same as in this Georgian State legislator’s opinion: “Sex offenders are the most reviled people in society… They’re one step above terrorists; there’s no political downside to cracking down on these folks.” It is then that we realise the true extent of ponerisation that is now occurring.

In Britain, the “surveillance society” is well and truly here. One of the ideas floated by the Child Exploitation and Online Protection Centre with children bombarded by images and info-tainment, was to turn them into “spy kids” for the Establishment in Europe and the US. This is the crux of the matter: to make people so dependent and reliant on the State from largely phantom fears that children especially feel compelled to turn their own parent’s in. “There are 9.5 million school-kids in the UK. Imagine if we could get them all to save the CEOP’s website to their favourites box so that whenever they are online they can fill in a form telling us who they are talking to, what (those people) are saying and why they think it is a threat.” [14]

The UK is the most spied-on country in the world according to a recent official report. We are being scrutinized, logged and photographed as never before with a typical Briton caught on camera over 300 times a day. The report highlighted concern over records kept of every internet site we visit and the long-term retention of logs detailing those visits to the growing use of automatic number plate recognition to track people’s journeys.  Integrate this with child porn and paedophile concerns – it’s a pretext for Orwellian controls ready and waiting for the State. But hyping the fear is essential. For instance, one study showed how easily the climate of paedophilia panic was eroding normal life. A schoolgirl’s playground banter: “… resulted in her father being refused work because he had been classed as a suspected paedophile. ‘The little girl was overheard saying, ‘My dad bonked me last night’. A dinner lady heard this and reported it to the school authorities,’… Social services discovered that the girl was referring to her father tapping her playfully on the head with an inflatable hammer. The file was closed, but five years later the father discovered he was still a suspected sex offender.” [15]

We are now faced with the possibility that factions within the US government itself, after seeking to stem a largely imaginary tsunami of child porn became its greatest purveyors and sellers. This was  due to factional objectives, the most important perhaps being the protection of an Elite who do indeed prey on children and young adults as a way of life, systemised and institutionalised by political expediency and blackmail.

Shout loud enough and hard enough with inflated figures and dubious data and the core subject matter, where it counts, becomes discredited.

As we can see from other prominent factors such as the War on Terror, the purpose may be to contribute to the initiation of draconian controls where misguided moralism lumps art into child pornography and along with child rape just as dissidents are cast under the same shadow of the terrorist. It is the ultimate justification for the death of internet free speech. The threat of child pornography and those affiliated with “terrorist groups” become the package by which internet freedom is lost for the “greater good.”

Taking this hypothesis further, we might conjecture that if that factions within governments are in control not only of narcotics, arms, human trafficking, but also the pornography industry we can see blackmail would play an increasingly decisive role in forcing certain people into taking top positions in NBC, NASA, Harvard, the military, the FBI, and FEMA. Perhaps there are many such virtual, commercial porn sites directly serving this purpose as recruiters for a new generation of politically compromised men. The Pathocracy needs key positions to be filled to facilitate a greater ease of psychologically compromised individuals whose influence is spread into the everyday lives of the populace enhancing their suggestibility towards specific pre-designed objectives. Those that “fit” in the core network of psychopathic groupings can then be relied upon to carry out their naturally allotted tasks. Disinformation artists in radio, television and the internet may have been given immunity from prosecution by federal authorities in return for defending the government.

Why not use the presence of child porn as the perfect pretext?

 


Notes
[1] Teen sex monitoring ‘may breach human rights’ David Batty, The Guardian, Wednesday December 14, 2005.
[2] Dr David Thomas Retired Cambridge University don, sentencing expert and author of leading textbook on sentencing. Quoted in ‘Judges speak out against erosion of independence by government’ The Guardian, Tuesday April 26, 2005.
[3] ‘United States: Thousands of Children Sentenced to Life without Parole’ National Study by Amnesty International and Human Rights Watch Finds Majority Face Life for First Offense, New York, October 12, 2005 Human Rights Watch, hrw.org/
[4] ‘EU must accept some erosion of civil rights-Britain,’ By Aine Gallagher, Reuters, September 7, 2005.
[5] Ibid.
[6] ‘Child Pornography Case Highlights Use of Internet in Crime’ By Michelle Mittelstadt, The Dallas Morning News, March 11, 2002.
[7] ‘On File’ By Annalee Newitz, AlterNet, http://www.alternet.org, June 22, 2005.
[8] The Patriot Act: HR 3162 RDS 107th Congress, 1st Session H. R. 3162 October 24, 2001, revised and updated to PATRIOT Act II in 2003. “Diminishes personal privacy by removing checks on government power, diminishes public accountability by increasing government secrecy; diminishes corporate accountability under the pretext of fighting terrorism; Undermines fundamental constitutional rights of Americans under overbroad definitions of ‘terrorism’ and ‘terrorist organization’ or under a terrorism pretext; Unfairly targets immigrants under the pretext of fighting terrorism. – b y Timothy H. Edgar, Legislative Counsel February 14, 2003 Section-by-Section Analysis of Justice Department draft ‘Domestic Security Enhancement Act of 2003,’ also known as “Patriot Act II” American Civil Liberties Union.
[9] Ibid.
[10] ‘I am ashamed to be leaving Liberty whilst people are interned without trial’ John Wadham LIBERTY editorial 2005 liberty.com.
[11] ‘Spanish police break up pedophile ring suspected of abusing babies’ Reuters, May 26 2005
[12] Baby rape sentence ‘unduly lenient’ BBC News, Wednesday, 3 September, 2003.
[13] ‘Italy and Oregon Courts Rule for Paedophilia’ June 2 2004 lifesite.net
[14] The Child Exploitation and Online Protection Centre, July 25 Press Release, http://www.ceop.gov.uk/
[15] ‘Britain the most spied on People in the Western World’ The Sunday Times, October 29, 2006.

Artists of Entropy

By M.K. Styllinski

trash11


So, where does the power of art come into Official Culture?

The answer is that it is bound by the same strictures as anything else and thus largely funnelled into the narcissist’s and psychopath’s perception of art –  a commodity of mediocrity. That does not mean to say that “art is dead” or that there are no beautiful and inspiring works  available (though it could be said that the notion of what constitutes art is now very, VERY broad indeed) only that the potential of art – to heal, communicate truth, to initiate change, to emancipate and to even act as a spiritual and emotional conduit – is generally absent from our daily lives.  Art could be so much more.

Creativity could be said to be the furnace in which the highest aspirations of human endeavour are forged. Without creativity life is stale, joyless and bland. By extension, art has come to represent something quite different in our “civilised” societies about which we are so proud.  This is best illustrated by art critics who seem to able to turn anything into a marketable cause whilst maintaining the veil of seeming profundity, even when there is an obvious lack of any merit, artistic or otherwise. For instance: “The photographs of Ulf Lundin are almost entirely devoid of visual interest … it is … their very mediocrity, their monotony, and their emptiness that attracts us.” [1] No offence to Lundin’s art but this critic believes that mediocrity is attractive and sustains us, even sets us free.

This is the point we have got to in much broader terms: the attraction to mediocrity and monotony. And this is distinctly different to highlighting a hidden beauty in the seemingly pedestrian. For some, this kind of abstraction is not a black narcissistic hole but an essential truth. Yet to say such things, is to be accused of being a philistine, where the nuances of the artist’s vision have yet to be appreciated. Perhaps this is true and the problem is simply one of art history and intellectual rigour?

What is artistic merit anyway? Is it just a subjective, personal acquisition that can never be pinned down?  Or does true art transcend entirely the whole concept of an individual artist hanging his photo or painting in a gallery and thus his own ego?


“Art is the lie that enables us to realize the truth.”

~ Pablo Picasso


We can go to a gallery and see the latest conceptual masterpiece from an acclaimed artist for whom the placing of a pile of washing on the floor or tea-cup on a table means an artistic statement. We might view it this way: If we are unwilling to see that this self-proclaimed “artist” is forcing us to do 90 percent of the intellectual effort in order to vindicate what is frequently a money-led consensus of intellectually-focused unoriginality, then no matter how well intentioned, we are buying into the gullibility that keeps the greasy wheels of market-led art inexorably turning. It seems to be a case of “art for art’s sake” rather than “art for life’s sake.”

Perhaps “Art” back through history had a different role rather than today’s reflection of viral self-importance?

In the ancient past, art was once the creative “glue” that gave meaning and a sense of the sacred to communities still living a harsh but closer existence to nature. Now, the disconnection from the natural world has left us devoid of meaning and psycho-spiritual knowledge; where the application of practical skills which were both an art and a function are lost in virtuality and urban chic.  The SMART human has largely embraced the march toward a post-modern, narcissistic assurance; the scientific dogma and shellac of New Age philosophies has further replaced the prospect of learning from genuine ancient wisdom which must be applied creatively to be truly understood.

The above may seem like a tree-hugging cliché, but there is truth to it. Don’t you get the feeling that art is simply regurgitating  reproductions of endless self-expressions for the market place? And digital technology has made this conveyor belt even quicker and more instantaneous.


“The aim of art is to represent not the outward appearance of things, but their inward significance.”

~ Aristotle


Nowadays, concepts of art often lie very much in the realm of the intellect where the viewer must do much of the work for the artist by imbuing it with meaning due to a paucity of talent and creativity. Is it merely a lack of education regarding the nature of art or has the practical relevance of art simply ceased to exist because it has … lost its soul?

“Police on Friday removed the corpse of a man believed to have hanged himself at least a year ago after builders and students at Budapest’s University of Arts had initially mistaken it for a modern sculpture.” [2]

Or, over to the dustmen in Frankfurt, Germany:

“… they were a mess that needed to be cleared from the streets of their spotless city. The yellow plastic sheets were swiftly scooped up, crushed and burned. But the diligence of the rubbish collectors was little consolation to the city’s prestigious art academy, which is now ruing the loss of an important work. Unknown to the binmen, the sheets were part of a city-wide exhibition of modern sculpture by Michael Beutler, a graduate of Frankfurt’s Städel art school. Thirty of the dustmen are now being sent to modern art classes to try to ensure that the same mistake never happens again.” [3]

Although this example is humorous it is also a tragic representation of a class and cultural schism. Perhaps we can see in the above just how de-linked and disassociated art has become from the values and meaning of everyday life. Again, what relevance does art have in the world today compared to its potential that lays waiting in the shadows, tied to our perceptions and the current materialist paradigm?

If human beings have a natural propensity for aesthetic behaviour or creative play [4] then there is a well spring of action that can be constructive and useful that naturally benefits the “organism” as a whole, rather than the strictly humanist, individualistic force of the past several hundred years. Without wishing to paint an overly romantic picture, it is true to say that many of the indigenous peoples of the world had a natural culture that was both creative and meaningful even while daily existence may have been often challenging. Craftsmanship was extraordinarily refined and intimately bound into the life of the tribe or community. In many ancient and indigenous cultures such as the Maoris, and the Eskimo tribes of the Inuit they confirm the Indian idea from ancient Sanskrit writings that there was no word for “art” precisely because the idea that artistic endeavour could be separated from life was non-sensical.


“Every child is an artist. The problem is how to remain an artist once he grows up.”

~ Pablo Picasso


In over a thousand languages spoken in Africa there is also no word for art.  There are no separate words for “create” or “make” nor is there a separation between right action and daily activity that is by their nature, an expression of a “divine art.” “Participation” is often the essential prerequisite for artistic endeavour where every action means something; every dance, every pot and ear-ring and temple. In the Western alchemical tradition the real art was the transformation of base metals into gold, the rebirth of the self – the true artisan.

In the words of Alistair Shearer:

As an individual, the artist does not consider himself fundamentally different from or opposed to society at large; he is the limb of the body, a cell of the organism, acting as a single entity yet inextricably part of the indivisible and organic whole… Stable in this identity his role is to transmit those forms which preserve and continue the inherited structures and beliefs of his society; his brief is conservative not innovative, social as opposed to individual, educative rather than diverting. His concern is not to invent new forms, but to rekindle the vitality latent in the ancient ones. [5]

At the present time we have turned away from the signposts of the past and become consumers rather than participants. Wal-mart, Nike or the Universal symbol of the Tao – it’s all the same. From religious iconography to esoteric symbols and mandalas, all have been subsumed into the continuum of market pop re-made to suit the less than altruistic intentions and actions behind them. We can say that now in the information age of manipulation anyone can produce “art,” and the reality of this possibility is flooding the market-consciousness. Everyone can make music in their bedroom and engineer sounds and samples from past musicians to create copies of copies of copies. Musicians can now engineer and paste whole samples of another’s work into their own if they so wish. In fact, one need not study music at all. If we do not have the ability or will to learn an instrument technology gives you the freedom to do it all for you. All we need to do is engineer sound where the elemental nature of the piano, guitar and drum or any other crafted instrument is now a graphic in a programme suitably distanced and perfectly conceptualised with polished realism and digital satisfaction.

Similarly, we can make digitised pictures and create virtual worlds of beauty and grandeur even if they seem to lack the soul of organic influence. We can all divest ourselves of a thousand meanings and project them into the outer world, exorcise our demons and “self-express.” Now everyone can dance until the sun goes down on diversity and creation as it fast becomes a bland monotony where every sampled beat sounds the same; where the ecstasy of dance is cut off from sacred meaning and still ensconced in an urban environment of a cultural dystopia.

A harsh, simplistic indictment of art in the “21st century?

Perhaps it’s more about our perceptions which give rise to what we consider to be art. It is indeed true that we humans have produced astonishingly beautiful and awe-inspiring examples of artistic vision so often tied to religious and devotional ecstasy or some form of spiritual yearning. Yet, as with all human endeavour it depends entirely on how this sexual / creative impulse is filtered into the material world. For instance, psychopaths do not have a creative bone in their body. They are mimics and masters of lies. So when pathological constructs begin to dominate societies then we will inevitably see its reflection in art and the methods by which it is produced. The difficulty comes between distinguishing the line between the real messengers that impart truth and those that merely regurgitate dead forms. Each will have its effect on the consciousness of the observer.


“Life doesn’t imitate art, it imitates bad television.”

~Woody Allen


Indeed, art and post-modern intellectual escapism seems to offer a unique possibility for those with serious pathologies to mimic attempts at creativity and pass it off as art for the public. When the psychopath or pathological narcissist is cut off from emotion and the fact that s/he cannot truly share, the world of art delivers self-aggrandisement and instant “specialness”; a natural environment in which he can foster his aloofness: the lone and misunderstood artist forging new and original visions… If his “originality” pushes new barriers of sensation and shock he can subsume his psychological issues into a protective facade of superior intellect and convince himself that his disdain for natural human interests comes from an elevated vision. Such “Art” like many of its offshoots, becomes a substitute for life itself. All this is willingly catered for in the art world should the artist hit on a suitable vehicle for his “self-expression” and the market in which it is best suited.

In a pathological world slipping into SMART society’s version of a digitized art this new media lends itself to the common denominator of the times. A “community producing great art…does so, not by its ‘love of art’ but by its ‘love of life’.” [6] Therefore, if art has no intrinsic relation to our lives where an accessibility of concepts is absent as well as the functional and practical appliance of art that is life, then can a process of true creativity be born? If pathological currents dominating Western societies have no ability to truly create it is logical that they should supplant an authentic cultural diversity with fake ideas bereft of an emotional connection though heavy on intellectual visions which we are obligated to furnish – the Emperor’s clothes with a paintbrush and keyboard. Since a culture dominated by pathology will naturally determine the quality, accessibility and visibility of that creativity surely it is inevitable that those who function as their designated artists in such a culture will merely be reproducing what is deemed an acceptable expression of that pathology?

The above brief description of contemporary art is purposely a somewhat generalised critique on the impressions that inform so vast a field. The reader will hopefully understand the contextual point being made. Perhaps the task of societies today is to see that the richness of creative artistry can be disbursed across a collective network of individuals rather than being focused in any single person; where unchanging principles and fluid generational skills are oriented towards permanent truths that can also bring forth our individual and collective potential. Once art has ceased to be seen as a commodity to be seen in a gallery or critiqued by those who are “in the know” then perhaps some measure of artistry can begin to be seeded in us all and translates into society as living art-fully. Art can become an expression of the artistry within rather than merely a form of self-importance or therapy without.

From the Industrial Revolution art has devolved into something very different to what could tentatively said to be its original purpose: to activate self-knowledge at the deepest level, to offer a fusion of community and practical skills where beauty and functionality sit side by side, and this as a result of a process of creativity which is defined by love. The power and quality of that unsentimental love which is rises up through the act of creation will define how well it reaches into the observer, to the extent it stimulates many and varied relationships from that process. In this way art cannot be separated from anything that truly creates and which has the promise of binding relationships which can for example,  form communities of thought which are self-sustaining within the whole.

Art then is a living process with tangible results dependent on the creator’s quality of consciousness.


“Art is not what you see, but what you make others see.”

~ Edgar Degas


Perhaps only the re-enchantment of Western societies can re-define art as liberator and healer, messenger and enabler. As we shall see, the general state of art will give us a broad mirror to understand what is going inside the collective mind of humanity just like any other domain. From there we will be able to tell how well the creative, artistic impulse is contributing to the advancement of human potential or merely a lifeless product.

Take an honest look on that score. What do we see?

It means that there is a battle between what Irish artist Caoimhghin Ó Croidheáin calls a “socially conscious art” and market conformity which parrots what has gone before and what market fashion demands; closing the window on the opportunity for art to inform and engage in ways that go beyond cultural constraints. That is not to say that art must direct itself to any one form of communication only that it MUST be authentic ans sincere for it to truly called “art;” where the pain and/or joy of the inner world is fused with the corporeal.  When socially conscious art speaks to the collective conscience producing emotional sparks of connection – that is when we the pain and imagery truly binds us, and we realise just how interrelated we really are. This is when art lives through us by binding us together in co-linear efforts to actualise conscience, the very process and fruits of which make life itself a living work of art.

Erich Fromm had this to say about our predicament and those who feel that there is nothing “normal” at all in the current state of society:

“A person who has not been completely alienated, who has remained sensitive and able to feel, who has not lost the sense of dignity, who is not yet ‘for sale’, who can still suffer over the suffering of others, who has not acquired fully the having mode of existence – briefly, a person who has remained a person and not become a thing – cannot help feeling lonely, powerless, isolated in present-day society. He cannot help doubting himself and his own convictions, if not his sanity. He cannot help suffering, even though he can experience moments of joy and clarity that are absent in the life of his ‘normal’ contemporaries. Not rarely will he suffer from neurosis that results from the situation of a sane man living in an insane society, rather than that of the more conventional neurosis of a sick man trying to adapt himself to a sick society. In the process of going further in his analysis, i.e. of growing to greater independence and productivity, his neurotic symptoms will cure themselves.”

This sense of isolation and “insanity” when comparing ourselves to the normalised pathology in which we are all immersed is the first step in curing ourselves and gaining a centre of authenticity.  This healing is an ambitious project and remains an individual destiny, but the successes we have as we undertake to understand our emotional life will have powerful effects upon the whole. This is the awakening that lies before us and a tantalising first step in opening the door to our dormant creativity across all domains. Mediocrity and conformity will then be seen for what they are: the symptoms of a social illness reacting to the imposition of anti-human demands. It is then that Official Culture will crumble and its authority seen for what it is: an illusion propagated by a minority that live in a psychological abyss.

It will be our choice as to whether we decide to join them.

See  also:

Sick Modern ‘Art’ Depicting Bestiality Installed Near Paris Louvre

Corruption of Art: I am sick of pretending – I don’t “get” art

Why the art world’s raging narcissism epidemic is killing art

Latest Atrocities in Modern Art

 


Notes
[1] John Tozer, Art Monthly February 1999.
[2] ‘Hanging Corpse Admired as Sculpture on Campus’ China Daily, November 15th 2003.
[3] ‘Back to school for binmen who thought modern art was a load of old rubbish’ Ben Aris in Berlin, The Guardian. January 13, 2005.
[4] Homo Aestheticus: Where Art comes from and Why by Ellen Dissanayake, The Free Press, 1992.
[5] p.8; The Hindu Vision Forms of the Formless (Art & Imagination) By Alistair Shearer Thames & Hudson 1993 | ISBN-10: 0500810435.

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